Addressing a diverse set of improvised art and music formsâ from jazz and cinema to dance and literatureâ this volume traces how the social, political, and the aesthetic relate within the context of improvisation.
Addressing a diverse set of improvised art and music formsâ from jazz and cinema to dance and literatureâ this volume traces how the social, political, and the aesthetic relate within the context of improvisation.
Georgina Born, Eric Lewis, and Will Straw, editors
Inhaltsangabe
Acknowledgments vii Introduction. What is Social Aesthetics? / Georgina Born, Eric Lewis, and Will Straw 1 Part I. The Social and the Aesthetic 1. After Relational Aesthetics: Improvised Music, the Social, and (Re)Theorizing the Aesthetic / Georgina Born 33 2. Scripting Social Interaction: Improvisation, Performance, and Western "Art" Music / Nicholas Cook 59 3. From the American Civil Rights Movement to Mali: Reflections on Social Aesthetics and Improvisation / Ingrid Monson 78 4. From Network Bands to Ubiquitous Computing: Rich Gold and the Social Aesthetics of Interactvity / George E. Lewis 91 Part II. Genre and Defintion 5. The Social Aesthetics of Swing in the 1940s: Or the Distribution of the Non-Sensible / David Brackett 113 6. What Is "Great Black Music"? The Social Aesthetics of the AACM in Paris / Eric Lewis 135 7. Kenneth Goldsmith and Uncreative Improvisation / Darren Wershler 160 Part III. Sociality and Identity 8. Strayhorn's Queer Arrangements / Lisa Barg 183 9. What's Love Got to Do with It? Creating Art, Creating Community, Creating a Better World / Tracey Nicholls 213 10. Improvisation in New Wave Cinema: Beneath the Myth, the Social / Marian Froger, translated by Will Straw 233 Part IV. Performance 11. Social Aesthetics and Transcultural Improvisation: Wayde Compton and the Performance of Black Time / Winfried Siemerling 255 12. Devices of Existence: Contact Improvisation, Mobile Performances, and Dancing through Twitter / Susan Kozel 268 13. The Dramaturgy of Spontaneity: Improvising the Social in Theater / Zoë Svendsen 288 References 309 Contributors' Biographies 335 Index 339
Acknowledgments vii Introduction. What is Social Aesthetics? / Georgina Born, Eric Lewis, and Will Straw 1 Part I. The Social and the Aesthetic 1. After Relational Aesthetics: Improvised Music, the Social, and (Re)Theorizing the Aesthetic / Georgina Born 33 2. Scripting Social Interaction: Improvisation, Performance, and Western "Art" Music / Nicholas Cook 59 3. From the American Civil Rights Movement to Mali: Reflections on Social Aesthetics and Improvisation / Ingrid Monson 78 4. From Network Bands to Ubiquitous Computing: Rich Gold and the Social Aesthetics of Interactvity / George E. Lewis 91 Part II. Genre and Defintion 5. The Social Aesthetics of Swing in the 1940s: Or the Distribution of the Non-Sensible / David Brackett 113 6. What Is "Great Black Music"? The Social Aesthetics of the AACM in Paris / Eric Lewis 135 7. Kenneth Goldsmith and Uncreative Improvisation / Darren Wershler 160 Part III. Sociality and Identity 8. Strayhorn's Queer Arrangements / Lisa Barg 183 9. What's Love Got to Do with It? Creating Art, Creating Community, Creating a Better World / Tracey Nicholls 213 10. Improvisation in New Wave Cinema: Beneath the Myth, the Social / Marian Froger, translated by Will Straw 233 Part IV. Performance 11. Social Aesthetics and Transcultural Improvisation: Wayde Compton and the Performance of Black Time / Winfried Siemerling 255 12. Devices of Existence: Contact Improvisation, Mobile Performances, and Dancing through Twitter / Susan Kozel 268 13. The Dramaturgy of Spontaneity: Improvising the Social in Theater / Zoë Svendsen 288 References 309 Contributors' Biographies 335 Index 339
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