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A white woman navigates her fear and uncertainty to learn the ways of the people she called savages, until she begins to dream "in Dakota, syllables sliding / on my tongue like tender pieces of meat." An African man, on display as a cannibal at the Worldas Columbian Exposition in 1893, sees into the future: "humiliations heaped up / as on overfilled plates . . . / . . . a country that casually / consumes its own." A woman holds the gray-blue barrel of a gun in her mouth, "the taste familiar / as her own blood." With an unexcelled command of narrative verse, Lisa ChAvez tells the stories of…mehr

Produktbeschreibung
A white woman navigates her fear and uncertainty to learn the ways of the people she called savages, until she begins to dream "in Dakota, syllables sliding / on my tongue like tender pieces of meat." An African man, on display as a cannibal at the Worldas Columbian Exposition in 1893, sees into the future: "humiliations heaped up / as on overfilled plates . . . / . . . a country that casually / consumes its own." A woman holds the gray-blue barrel of a gun in her mouth, "the taste familiar / as her own blood." With an unexcelled command of narrative verse, Lisa ChAvez tells the stories of American lives across more than a century. Whether retelling nineteenth-century captivity narratives or depicting contemporary American women confronting addiction and despair, ChAvez investigates issues of identity and self-definition in the face of an often harsh and unremitting history. Her story-poems explore the ways in which people have been made captive--whether to racism or national policy, to bad marriages or alcoholism, to poverty or emotion--from the Inuit woman birthing a son among strangers to the wife now deranged by desire for another man: "Heas the smoky slow-burn of chipotle on the tongue. My golden idol. My gospel revival. Heas hashish sweet and languorous--my bodyas one desire." In the end, ChAvez shows us a New World of promise in which an alchemistas assistant summons stories from stones by calling their names with "clicks of her tongue, / syllables of silver, turquoise, and jade," and a Native woman discovers her true power in an Alaskan bar. Passionate and political, In an Angry Season is a work of startling depth and breadth--an American history in poetry--that asksus what it means to be civilized.
Autorenporträt
Lisa D. Chávez is the author of a previous book of poetry, Destruction Bay . Her work has been anthologized in American Poetry: The Next Generation, The Floating Borderlands: 25 Years of U.S. Hispanic Literature, and ¡Floricanto Sí!: A Collection of Latina Poetry. She teaches creative writing and literature at Albion College in Michigan.