In and Out of View
Art and the Dynamics of Circulation, Suppression, and Censorship
Herausgeber: Paquette, Catha; Kleinfelder, Karen; Miles, Christopher
In and Out of View
Art and the Dynamics of Circulation, Suppression, and Censorship
Herausgeber: Paquette, Catha; Kleinfelder, Karen; Miles, Christopher
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This anthology explores the dynamics through which contested art has lost and gained visibility.
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This anthology explores the dynamics through which contested art has lost and gained visibility.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Bloomsbury Publishing PLC
- Seitenzahl: 352
- Erscheinungstermin: 15. Dezember 2022
- Englisch
- Abmessung: 179mm x 255mm x 27mm
- Gewicht: 1064g
- ISBN-13: 9781501377464
- ISBN-10: 1501377469
- Artikelnr.: 65333561
- Herstellerkennzeichnung
- Produktsicherheitsverantwortliche/r
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Bloomsbury Publishing PLC
- Seitenzahl: 352
- Erscheinungstermin: 15. Dezember 2022
- Englisch
- Abmessung: 179mm x 255mm x 27mm
- Gewicht: 1064g
- ISBN-13: 9781501377464
- ISBN-10: 1501377469
- Artikelnr.: 65333561
- Herstellerkennzeichnung
- Produktsicherheitsverantwortliche/r
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Catha Paquette is Professor of Art History at California State University, Long Beach, USA. She is the author of At the Crossroads: Diego Rivera and His Patrons at MoMA, Rockefeller Center, and the Palace of Fine Arts (2017). In essays published in and outside the US, she has investigated production and reception of Latin American art in Latin America and the US, including promotion, circulation, and acquisition by collectors, public agencies, and private institutions. Karen L. Kleinfelder is Professor of Art History at California State University, Long Beach, USA. She is the author of The Artist, His Model, Her Image, His Gaze: Picasso's Pursuit of the Model (1993) and has been published in the exhibition catalogues Picasso: Inside the Image (1995) and Picasso and the Mediterranean (1996). As a specialist in modern and contemporary art and theory, her research interests focus on gender, psychoanalysis, and complexity theory. Christopher Miles is Professor of Art and director of the Center for Contemporary Ceramics at California State University Long Beach, USA. Among the exhibitions he has co-curated are THING: New Sculpture from Los Angeles (Hammer Museum, 2005) and L.A. Invisible City (Instituto Cervantes, Madrid, 2010). His work has been shown at the ACME gallery, Pasadena Museum of California Art, and Patricia Sweetow Gallery. His writings have been extensively published in art journals and exhibition catalogs.
List of Plates List of Figures Acknowledgements Introduction
Catha Paquette (California State University Long Beach
USA)
Karen Kleinfelder (California State University Long Beach
USA)
and Christopher Miles (Independent Scholar
USA) PART I. DEADLY SERIOUS 1. Subjugated Knowledges
Revisionist Histories
and the Problem of Visibility: Carrie Mae Weems and Ken Gonzales-Day
Nizan Shaked (California State University Long Beach
USA) 2. Damage Control: Teresa Margolles
the Mexican Government
and the 2009 Venice Biennale Mexican Pavilion
Ana Garduño (National Institute for Fine Arts
Mexico) 3. Death Matters
Kerstin Mey (University of Limerick
Ireland) PART II. THE SEXUAL (IN)SIGHT 4. Art/Obscenity in West German Experimental Film
1968-1972: Circulating through the Debates
Megan Hoetger (University of California
Berkeley
USA) 5. Impossible to Image: Art & Sexual Violence
1975-1979
Angelique Szymanek (Hobart and William Smith Colleges
USA) 6. De-Shaming Shame
John Fleck (Actor and Performance Artist
USA) in Conversation with Kevin Duffy (Film Director
USA) 7. Only the Stupid Are Overt: Covert Censorship in the American Museum
Jonathan D. Katz (University of Pennyslvania
USA) PART III. UNDER DELIBERATION: ARTFUL ACTIVISM 8. Tucumán Arde and the Changing Face of Censorship
Fabián Cereijido (Independent Scholar
USA) 9. The Discursive Roots of Censorship: Neoliberalism's Rendering of Chican@ Art
Karen Mary Davalos (University of Minnesota
Twin Cities
USA) 10. Tools and Obstacles
Daniel Joseph Martínez (University of California
Irvine
USA) and Carol A. Wells (Independent Scholar
USA) in Conversation with Nizan Shaked (California State University Long Beach
USA) 11. Remaining in Sight: Andrea Bowers' Art Lessons from Activists
Peter R. Kalb (Brandeis University
USA) PART IV. FRAMED: INSTITUTIONAL AND GOVERNMENTAL CONSTRAINTS 12. In and Out of Sites: Disability and Access in the Work of Park McArthur and Carmen Papalia
Elizabeth Guffey (Purchase College
USA) 13. Culture
State
and Revolution: Arts Wars between Religious and Secular Autocracies in Post-Revolution Egypt
Sonali Pahwa (University of Minnesota
USA) and Jessica Winegar (Northwestern University
USA) 14. Knowing/Caring
Ai Weiwei (Artist and Activist) and Alexandra Munroe in Conversation (Solomon R. Guggenheim Museum
USA) PART V. CONTESTED OBJECTS: (RE)PRESENTING CULTURAL HERITAGE 15. Re-Indigenizing Native Space in a University Context
Craig Stone ( California State University Long Beach
USA) 16. African Cultural Heritage: Erasure
Restitution and Digital Image Regimes
Sylvester Okwunodu Ogbechie (University of California
Santa Barbara
USA) 17. Censorship and Creative (Re)Production
Morehshin Allahyari (Artist and Activist
USA) in Conversation with Brittany Ransom (California State University Long Beach
USA) PART VI. MATTERS OF RACE 18. Provocation and Valuation Our Compliance and September 2015 Letter to The Spectrum
Ashley Powell (Artist and Activist
USA) Black Judge Takes the Stand: April 2016 Response
Kara Walker (Artist
USA) 2019 Reflections
Ashley Powell (Artist and Activist
USA) 19. Presentation/Representation: Creative Expression
Speech Rights
and Pedagogy
Jane Conoley (California State University Long Beach
USA)
Maulana Karenga (California State University Long Beach
USA)
Karen Kleinfelder (California State University Long Beach
USA)
Cyrus Parker-Jeannette (Dancer/Choreographer
USA)
Michele Roberge (Independent Scholar
USA)
Elena Roznovan (Artist
USA) and Cintia Alejandra Segovia (Photographer
USA)
Griselda Suarez (Long Beach Arts Council
USA)
Andrew Vaca (California State University Long Beach
USA)
Jaye Austin Williams (Bucknell University
USA)
Terri Yamada (California State University Long Beach
USA) Afterwords
Svetlana Mintcheva (National Coalition Against Censorship
USA) and Laura Raicovitch (Independent Scholar
USA) in Conversation List of Contributors Index
Catha Paquette (California State University Long Beach
USA)
Karen Kleinfelder (California State University Long Beach
USA)
and Christopher Miles (Independent Scholar
USA) PART I. DEADLY SERIOUS 1. Subjugated Knowledges
Revisionist Histories
and the Problem of Visibility: Carrie Mae Weems and Ken Gonzales-Day
Nizan Shaked (California State University Long Beach
USA) 2. Damage Control: Teresa Margolles
the Mexican Government
and the 2009 Venice Biennale Mexican Pavilion
Ana Garduño (National Institute for Fine Arts
Mexico) 3. Death Matters
Kerstin Mey (University of Limerick
Ireland) PART II. THE SEXUAL (IN)SIGHT 4. Art/Obscenity in West German Experimental Film
1968-1972: Circulating through the Debates
Megan Hoetger (University of California
Berkeley
USA) 5. Impossible to Image: Art & Sexual Violence
1975-1979
Angelique Szymanek (Hobart and William Smith Colleges
USA) 6. De-Shaming Shame
John Fleck (Actor and Performance Artist
USA) in Conversation with Kevin Duffy (Film Director
USA) 7. Only the Stupid Are Overt: Covert Censorship in the American Museum
Jonathan D. Katz (University of Pennyslvania
USA) PART III. UNDER DELIBERATION: ARTFUL ACTIVISM 8. Tucumán Arde and the Changing Face of Censorship
Fabián Cereijido (Independent Scholar
USA) 9. The Discursive Roots of Censorship: Neoliberalism's Rendering of Chican@ Art
Karen Mary Davalos (University of Minnesota
Twin Cities
USA) 10. Tools and Obstacles
Daniel Joseph Martínez (University of California
Irvine
USA) and Carol A. Wells (Independent Scholar
USA) in Conversation with Nizan Shaked (California State University Long Beach
USA) 11. Remaining in Sight: Andrea Bowers' Art Lessons from Activists
Peter R. Kalb (Brandeis University
USA) PART IV. FRAMED: INSTITUTIONAL AND GOVERNMENTAL CONSTRAINTS 12. In and Out of Sites: Disability and Access in the Work of Park McArthur and Carmen Papalia
Elizabeth Guffey (Purchase College
USA) 13. Culture
State
and Revolution: Arts Wars between Religious and Secular Autocracies in Post-Revolution Egypt
Sonali Pahwa (University of Minnesota
USA) and Jessica Winegar (Northwestern University
USA) 14. Knowing/Caring
Ai Weiwei (Artist and Activist) and Alexandra Munroe in Conversation (Solomon R. Guggenheim Museum
USA) PART V. CONTESTED OBJECTS: (RE)PRESENTING CULTURAL HERITAGE 15. Re-Indigenizing Native Space in a University Context
Craig Stone ( California State University Long Beach
USA) 16. African Cultural Heritage: Erasure
Restitution and Digital Image Regimes
Sylvester Okwunodu Ogbechie (University of California
Santa Barbara
USA) 17. Censorship and Creative (Re)Production
Morehshin Allahyari (Artist and Activist
USA) in Conversation with Brittany Ransom (California State University Long Beach
USA) PART VI. MATTERS OF RACE 18. Provocation and Valuation Our Compliance and September 2015 Letter to The Spectrum
Ashley Powell (Artist and Activist
USA) Black Judge Takes the Stand: April 2016 Response
Kara Walker (Artist
USA) 2019 Reflections
Ashley Powell (Artist and Activist
USA) 19. Presentation/Representation: Creative Expression
Speech Rights
and Pedagogy
Jane Conoley (California State University Long Beach
USA)
Maulana Karenga (California State University Long Beach
USA)
Karen Kleinfelder (California State University Long Beach
USA)
Cyrus Parker-Jeannette (Dancer/Choreographer
USA)
Michele Roberge (Independent Scholar
USA)
Elena Roznovan (Artist
USA) and Cintia Alejandra Segovia (Photographer
USA)
Griselda Suarez (Long Beach Arts Council
USA)
Andrew Vaca (California State University Long Beach
USA)
Jaye Austin Williams (Bucknell University
USA)
Terri Yamada (California State University Long Beach
USA) Afterwords
Svetlana Mintcheva (National Coalition Against Censorship
USA) and Laura Raicovitch (Independent Scholar
USA) in Conversation List of Contributors Index
List of Plates List of Figures Acknowledgements Introduction
Catha Paquette (California State University Long Beach
USA)
Karen Kleinfelder (California State University Long Beach
USA)
and Christopher Miles (Independent Scholar
USA) PART I. DEADLY SERIOUS 1. Subjugated Knowledges
Revisionist Histories
and the Problem of Visibility: Carrie Mae Weems and Ken Gonzales-Day
Nizan Shaked (California State University Long Beach
USA) 2. Damage Control: Teresa Margolles
the Mexican Government
and the 2009 Venice Biennale Mexican Pavilion
Ana Garduño (National Institute for Fine Arts
Mexico) 3. Death Matters
Kerstin Mey (University of Limerick
Ireland) PART II. THE SEXUAL (IN)SIGHT 4. Art/Obscenity in West German Experimental Film
1968-1972: Circulating through the Debates
Megan Hoetger (University of California
Berkeley
USA) 5. Impossible to Image: Art & Sexual Violence
1975-1979
Angelique Szymanek (Hobart and William Smith Colleges
USA) 6. De-Shaming Shame
John Fleck (Actor and Performance Artist
USA) in Conversation with Kevin Duffy (Film Director
USA) 7. Only the Stupid Are Overt: Covert Censorship in the American Museum
Jonathan D. Katz (University of Pennyslvania
USA) PART III. UNDER DELIBERATION: ARTFUL ACTIVISM 8. Tucumán Arde and the Changing Face of Censorship
Fabián Cereijido (Independent Scholar
USA) 9. The Discursive Roots of Censorship: Neoliberalism's Rendering of Chican@ Art
Karen Mary Davalos (University of Minnesota
Twin Cities
USA) 10. Tools and Obstacles
Daniel Joseph Martínez (University of California
Irvine
USA) and Carol A. Wells (Independent Scholar
USA) in Conversation with Nizan Shaked (California State University Long Beach
USA) 11. Remaining in Sight: Andrea Bowers' Art Lessons from Activists
Peter R. Kalb (Brandeis University
USA) PART IV. FRAMED: INSTITUTIONAL AND GOVERNMENTAL CONSTRAINTS 12. In and Out of Sites: Disability and Access in the Work of Park McArthur and Carmen Papalia
Elizabeth Guffey (Purchase College
USA) 13. Culture
State
and Revolution: Arts Wars between Religious and Secular Autocracies in Post-Revolution Egypt
Sonali Pahwa (University of Minnesota
USA) and Jessica Winegar (Northwestern University
USA) 14. Knowing/Caring
Ai Weiwei (Artist and Activist) and Alexandra Munroe in Conversation (Solomon R. Guggenheim Museum
USA) PART V. CONTESTED OBJECTS: (RE)PRESENTING CULTURAL HERITAGE 15. Re-Indigenizing Native Space in a University Context
Craig Stone ( California State University Long Beach
USA) 16. African Cultural Heritage: Erasure
Restitution and Digital Image Regimes
Sylvester Okwunodu Ogbechie (University of California
Santa Barbara
USA) 17. Censorship and Creative (Re)Production
Morehshin Allahyari (Artist and Activist
USA) in Conversation with Brittany Ransom (California State University Long Beach
USA) PART VI. MATTERS OF RACE 18. Provocation and Valuation Our Compliance and September 2015 Letter to The Spectrum
Ashley Powell (Artist and Activist
USA) Black Judge Takes the Stand: April 2016 Response
Kara Walker (Artist
USA) 2019 Reflections
Ashley Powell (Artist and Activist
USA) 19. Presentation/Representation: Creative Expression
Speech Rights
and Pedagogy
Jane Conoley (California State University Long Beach
USA)
Maulana Karenga (California State University Long Beach
USA)
Karen Kleinfelder (California State University Long Beach
USA)
Cyrus Parker-Jeannette (Dancer/Choreographer
USA)
Michele Roberge (Independent Scholar
USA)
Elena Roznovan (Artist
USA) and Cintia Alejandra Segovia (Photographer
USA)
Griselda Suarez (Long Beach Arts Council
USA)
Andrew Vaca (California State University Long Beach
USA)
Jaye Austin Williams (Bucknell University
USA)
Terri Yamada (California State University Long Beach
USA) Afterwords
Svetlana Mintcheva (National Coalition Against Censorship
USA) and Laura Raicovitch (Independent Scholar
USA) in Conversation List of Contributors Index
Catha Paquette (California State University Long Beach
USA)
Karen Kleinfelder (California State University Long Beach
USA)
and Christopher Miles (Independent Scholar
USA) PART I. DEADLY SERIOUS 1. Subjugated Knowledges
Revisionist Histories
and the Problem of Visibility: Carrie Mae Weems and Ken Gonzales-Day
Nizan Shaked (California State University Long Beach
USA) 2. Damage Control: Teresa Margolles
the Mexican Government
and the 2009 Venice Biennale Mexican Pavilion
Ana Garduño (National Institute for Fine Arts
Mexico) 3. Death Matters
Kerstin Mey (University of Limerick
Ireland) PART II. THE SEXUAL (IN)SIGHT 4. Art/Obscenity in West German Experimental Film
1968-1972: Circulating through the Debates
Megan Hoetger (University of California
Berkeley
USA) 5. Impossible to Image: Art & Sexual Violence
1975-1979
Angelique Szymanek (Hobart and William Smith Colleges
USA) 6. De-Shaming Shame
John Fleck (Actor and Performance Artist
USA) in Conversation with Kevin Duffy (Film Director
USA) 7. Only the Stupid Are Overt: Covert Censorship in the American Museum
Jonathan D. Katz (University of Pennyslvania
USA) PART III. UNDER DELIBERATION: ARTFUL ACTIVISM 8. Tucumán Arde and the Changing Face of Censorship
Fabián Cereijido (Independent Scholar
USA) 9. The Discursive Roots of Censorship: Neoliberalism's Rendering of Chican@ Art
Karen Mary Davalos (University of Minnesota
Twin Cities
USA) 10. Tools and Obstacles
Daniel Joseph Martínez (University of California
Irvine
USA) and Carol A. Wells (Independent Scholar
USA) in Conversation with Nizan Shaked (California State University Long Beach
USA) 11. Remaining in Sight: Andrea Bowers' Art Lessons from Activists
Peter R. Kalb (Brandeis University
USA) PART IV. FRAMED: INSTITUTIONAL AND GOVERNMENTAL CONSTRAINTS 12. In and Out of Sites: Disability and Access in the Work of Park McArthur and Carmen Papalia
Elizabeth Guffey (Purchase College
USA) 13. Culture
State
and Revolution: Arts Wars between Religious and Secular Autocracies in Post-Revolution Egypt
Sonali Pahwa (University of Minnesota
USA) and Jessica Winegar (Northwestern University
USA) 14. Knowing/Caring
Ai Weiwei (Artist and Activist) and Alexandra Munroe in Conversation (Solomon R. Guggenheim Museum
USA) PART V. CONTESTED OBJECTS: (RE)PRESENTING CULTURAL HERITAGE 15. Re-Indigenizing Native Space in a University Context
Craig Stone ( California State University Long Beach
USA) 16. African Cultural Heritage: Erasure
Restitution and Digital Image Regimes
Sylvester Okwunodu Ogbechie (University of California
Santa Barbara
USA) 17. Censorship and Creative (Re)Production
Morehshin Allahyari (Artist and Activist
USA) in Conversation with Brittany Ransom (California State University Long Beach
USA) PART VI. MATTERS OF RACE 18. Provocation and Valuation Our Compliance and September 2015 Letter to The Spectrum
Ashley Powell (Artist and Activist
USA) Black Judge Takes the Stand: April 2016 Response
Kara Walker (Artist
USA) 2019 Reflections
Ashley Powell (Artist and Activist
USA) 19. Presentation/Representation: Creative Expression
Speech Rights
and Pedagogy
Jane Conoley (California State University Long Beach
USA)
Maulana Karenga (California State University Long Beach
USA)
Karen Kleinfelder (California State University Long Beach
USA)
Cyrus Parker-Jeannette (Dancer/Choreographer
USA)
Michele Roberge (Independent Scholar
USA)
Elena Roznovan (Artist
USA) and Cintia Alejandra Segovia (Photographer
USA)
Griselda Suarez (Long Beach Arts Council
USA)
Andrew Vaca (California State University Long Beach
USA)
Jaye Austin Williams (Bucknell University
USA)
Terri Yamada (California State University Long Beach
USA) Afterwords
Svetlana Mintcheva (National Coalition Against Censorship
USA) and Laura Raicovitch (Independent Scholar
USA) in Conversation List of Contributors Index