In Prison And Out - Stretton, Hesba
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Who can tell how long the hours of that night were? Darkness without, and within the utter blackness of despair. The craving hunger of disease, and the soul's hunger after the welfare of her children! The chilly dew of death, and the icy death-blow dealt to every lingering hope for them! When Bess awoke and bestirred herself early in the morning, her mother still lay speechless, and she dared not leave her. Euclid started on his day's work alone. There was no one she could ask for help; so she set about her little tasks of lighting a handful of fire, and making a cup of tea for her mother, which she could not persuade her to touch.…mehr

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Produktbeschreibung
Who can tell how long the hours of that night were? Darkness without, and within the utter blackness of despair. The craving hunger of disease, and the soul's hunger after the welfare of her children! The chilly dew of death, and the icy death-blow dealt to every lingering hope for them! When Bess awoke and bestirred herself early in the morning, her mother still lay speechless, and she dared not leave her. Euclid started on his day's work alone. There was no one she could ask for help; so she set about her little tasks of lighting a handful of fire, and making a cup of tea for her mother, which she could not persuade her to touch.
Autorenporträt
Sarah Smith, an evangelical English author of Christian children's novels, used the pseudonym Hesba Stretton. These were really popular. By the late nineteenth century, Jessica's First Prayer had sold one million and a half copies, 10 times more than Alice in Wonderland. She created "Hesba Stretton" by combining the initials of herself and four surviving siblings with the name of a Shropshire village she visited, All Stretton, where her sister Anne owned a property, Caradoc Lodge. Sarah Smith was the daughter of Benjamin Smith (1793-1878), a bookseller from Wellington, Shropshire, and his wife Anne Bakewell Smith (1798-1842), a prominent Methodist. Smith, one of the most popular Evangelical writers of the nineteenth century, used "Christian principles as a protest against specific social evils in her children's books." Her moral and semi-religious stories, primarily for children, were widely published and frequently used as classroom and Sunday-school rewards. She became a regular contributor to Household Words and All the Year Round under Charles Dickens' editorship after her sister successfully submitted a piece she wrote without her knowledge. In total, she wrote around 40 novels.