Eschewing traditionally linear historical frameworks, In Search of Julián Carrillo and Sonido 13 employs an innovative transhistorical narrative in which past, present and future are explored dialogically in order to understand the politics of performance and self-representation behind Carrillo and Sonido 13.
Eschewing traditionally linear historical frameworks, In Search of Julián Carrillo and Sonido 13 employs an innovative transhistorical narrative in which past, present and future are explored dialogically in order to understand the politics of performance and self-representation behind Carrillo and Sonido 13.
Alejandro L. Madrid is a music scholar and cultural theorist whose research focuses on the intersection of modernity, tradition, and globalization in music and expressive culture from Mexico, the U.S.-Mexico border, and the circum-Caribbean. His books have received the AMS's Robert M. Stevenson and Ruth A. Solie awards, the Béla Bartók award from the ASCAP Deems Taylor Awards, IASPM's Woody Guthrie Book Award, and the Casa de las Américas Musicology Prize. He is associate professor of musicology at Cornell University.
Inhaltsangabe
About the Companion Website List of Figures List of Music Examples Acknowledgements Chapter 1. Introduction: A Cultural Complex's Non-Linear Story Chapter 2. Imitation, Ideology, Performativity, and Carrillo's Symphony No. 1 Chapter 3. '...y hermosísima patria será': National and Post-National Transfigurations in Matilde Chapter 4. Modernism, Teleology, and Identity: Toward a Cultural Understanding of Early Sonido 13 Chapter 5. Reading Carrillo: The Future that Never Was Chapter 6. Continuities and Discontinuities in an Imaginary Cycle: The Thirteen String Quartets Chapter 7. Experimentalism, Mythology, the Intermundane, and Sonido 13 after Julián Carrillo Chapter 8. Estrangement, Performance, and Performativity: Musicking Sonido 13 Bibliography
About the Companion Website List of Figures List of Music Examples Acknowledgements Chapter 1. Introduction: A Cultural Complex's Non-Linear Story Chapter 2. Imitation, Ideology, Performativity, and Carrillo's Symphony No. 1 Chapter 3. '...y hermosísima patria será': National and Post-National Transfigurations in Matilde Chapter 4. Modernism, Teleology, and Identity: Toward a Cultural Understanding of Early Sonido 13 Chapter 5. Reading Carrillo: The Future that Never Was Chapter 6. Continuities and Discontinuities in an Imaginary Cycle: The Thirteen String Quartets Chapter 7. Experimentalism, Mythology, the Intermundane, and Sonido 13 after Julián Carrillo Chapter 8. Estrangement, Performance, and Performativity: Musicking Sonido 13 Bibliography
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