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In these thoughtful, richly personal essays, Marianne Boruch takes a fresh view on old poets, considering such questions as how the atomic bomb changed William Carlos Williams's poetry and how Edison's listening, through his famous deafness, informs our sense of poetics. Other essays explore how the car's danger and solitude helps us understand American poetry, and how Dvorak and Whitman shared darker things than their curious love for trains. Boruch's personal memories and philosophical speculations create a distinct voice to match the collection's distinct opinions and ideas.

Produktbeschreibung
In these thoughtful, richly personal essays, Marianne Boruch takes a fresh view on old poets, considering such questions as how the atomic bomb changed William Carlos Williams's poetry and how Edison's listening, through his famous deafness, informs our sense of poetics. Other essays explore how the car's danger and solitude helps us understand American poetry, and how Dvorak and Whitman shared darker things than their curious love for trains. Boruch's personal memories and philosophical speculations create a distinct voice to match the collection's distinct opinions and ideas.
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Autorenporträt
Marianne Boruch¿s poetry collections include The Book of Hours and Grace, Fallen from. Her eighth¿Cadaver, Speak. In addition to In the Blue Pharmacy she¿s written Poetry¿s Old Air and a memoir, The Glimpse Traveler. Among her awards are Pushcart Prizes, a Fulbright/Visiting Professorship at the University of Edinburgh, fellowships from the NEA and the Guggenheim Foundation, and residencies from the Rockefeller Foundation¿s Bellagio Center and Isle Royale National Park. Her work has appeared in the New Yorker, Poetry, the Paris Review, the American Poetry Review, the Yale Review, and the London Review of Books. She teaches at Purdue University and in the low-residency MFA program at Warren Wilson College.