In the Doorway of All Worlds revisits the hagiographical poetry of Gonzalo de Berceo in the context of the emergent vernacular culture of thirteenth-century Iberia.
In the Doorway of All Worlds revisits the hagiographical poetry of Gonzalo de Berceo in the context of the emergent vernacular culture of thirteenth-century Iberia.
Robin M. Bower is an associate professor of Spanish at Pennsylvania State University.
Inhaltsangabe
Acknowledgments Introduction: Making Sense of the Past 1. Making Truth of San Millán de la Cogolla 2. Making Difference: A History of Priors 3. Making Trouble: Rules and Deviations 4. Making Bodies: Hagiographic Carnality and the Uses of Injury 5. Eternities in the Making: The Passions of Oria and Lawrence Epilogue: Making Saints in the Doorway Notes Bibliography Index
Acknowledgments Introduction: Making Sense of the Past 1. Making Truth of San Millán de la Cogolla 2. Making Difference: A History of Priors 3. Making Trouble: Rules and Deviations 4. Making Bodies: Hagiographic Carnality and the Uses of Injury 5. Eternities in the Making: The Passions of Oria and Lawrence Epilogue: Making Saints in the Doorway Notes Bibliography Index
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