Julian E Hochberg

In the Mind's Eye

Julian Hochberg on the Perception of Pictures, Films, and the World
Herausgeber: Peterson, Mary A; Gillam, Barbara

• Gebundenes Buch

Produktbeschreibung

How can we best describe the processes by which we visually perceive our environment? Contemporary perceptual theory still lacks a coherent theoretical position that encompasses both the limitations on the information that can be retained from a single eye fixation and the abundant phenomenal and behavioral evidence for the perception of an extended and coherent world. As a result, many leading theorists and researchers in visual perception are turning with new or renewed interest to the work of Julian Hochberg. For over 50 years, in his own experimental research, in his detailed consideration of examples drawn from a wide range of visual experiences and activities, and most of all in his brilliant and sophisticated theoretical analyses, Hochberg has persistently engaged with the myriad problems inherent in working out the kind of coherent theoretical position the field currently lacks. The complexity of his thought and the wide range of areas into which Hochberg has pursued the solution to this central problem have, however, limited both the accessibility of his work and the appreciation of his accomplishment. In this volume we seek to bring the full range of Hochbergs work to the attention of a wider audience by offering a selection of his key works, many taken from out-of-print or relatively inaccessible sources. To facilitate the understanding of his accomplishment, and of what his work has to offer to contemporary researchers and theorists in visual perception, we include commentaries on salient aspects of his work by 20 noted researchers. In the Mind's Eye will be of interest to researchers working on topics such as perceptual organization, visualattention, space perception, motion perception, visual cognition, the relationship between perception and action, picture perception, and film, who are striving to obtain a deeper understanding of their own fields, and who want to integrate this understanding into a broader, unif

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Produktdetails

• Verlag: Oxford University Press
• Seitenzahl: 656
• Erscheinungstermin: 4. Januar 2007
• Englisch
• Abmessung: 235mm x 165mm x 35mm
• Gewicht: 1052g
• ISBN-13: 9780195176919
• ISBN-10: 019517691X
• Artikelnr.: 21137484

Inhaltsangabe

* Section I: Selected Papers of Julian Hochberg
* 1: Hochberg, C. B. and Hochberg, J. (1952). Familiar size and the
perception of depth. Journal of Psychology, 34, 107-114.
* 2: Hochberg, J. and McAlister, E. (1953). A quantitative approach to
figural goodness. Journal of Experimental Psychology, 46, 361-364.
* 3: Hochberg, J. and Beck, J. (1954). Apparent spatial arrangement and
perceived brightness. Journal of Experimental Psychology, 47,
263-266.
* 4: Hochberg, J. (1956). Perception: Toward the recovery of a
definition. Psychological Review, 63, 400-405.
* 5: Hochberg, J. (1962). The psychophysics of pictorial perception.
Audio-Visual Communications Review, 10, 22-54.
* 6: Hochberg, J. and Brooks, V. (1962). Pictorial recognition as an
unlearned ability: A study of one childs performance. American
Journal of Psychology, 75, 624-628.
* 7: Hochberg, J. and Galper, R. E. (1967). Recognition of faces: I. An
exploratory study. Psychonomic Science, 9, 619-620.
* 8: Hochberg, J. (1968). In the mind's eye. Invited address read at
the September 1966 meetings of the American Psychological
Association, Division 3. In R.N. Haber (Ed.), Contemporary Theory and
Research in Visual Perception. Holt, Rinehart, and Winston, 309-331.
* 9: Hochberg, J. (1970). Attention, organization and consciousness. In
D. Mostofsky (Ed.), Attention: Contemporary Theory and Analysis. NY:
Appleton-Century, 99-124.
* 10: Hochberg, J. (1970). Components of literacy: Speculations and
exploratory research. In H. Levin and J. P. Williams (Eds.), Basic
studies on reading. New York: Basic Books, 74-89.
* 11: Hochberg, J. and Brooks, V. (1970). Reading as an intentional
behavior. In H. Singer and R. B. Ruddell (Eds.), Theoretical models
and processes of reading. Newark, Delaware: International Reading
Association, 304-314.
* 12: Hochberg, J. (1972). The representation of things and people. In
E. H. Gombrich, J. Hochberg, and M. Black (Eds.), Art, perception and
reality. Baltimore: The Johns Hopkins University Press, 47-94.
* 13: Hochberg, J. (1974). Higher-order stimuli and inter-response
coupling in the perception of the visual world. In R.B. MacLeod and
H.L. Pick, Jr. (Eds.), Perception: Essays in Honor of James J.
Gibson. Ithaca, NY: Cornell University Press, 17-39.
* 14: Hochberg, J. and Brooks, V. (1978). Film cutting and visual
momentum. In J. W. Senders, D. F. Fisher, and R. A. Monty (Eds.)
Eye-movements and the higher psychological functions. Hillsdale, NJ:
Erlbaum, 293-313.
* 15: Hochberg, J. (1980). Pictorial function and perceptual
structures. In M. A. Hagen (Ed.), The perception of pictures. (Vol.
2, pp. 47-93). New York : Academic Press.
* 16: Hochberg, J (1981). Levels of perceptual organization. In M.
Kubovy and J. Pomerantz (Eds.), Perceptual organization. Hillsdale,
N. J.: Lawence Erlbaum Associates, 255-278.
* 17: Hochberg, J. (1982). How big is a stimulus? In J. Beck (ed.),
Organization and Representation in Perception. Hillsdale, NJ:
Lawrence Erlbaum, 191-217.
* 18: Hochberg, J. (1983). Form perception: experience and
explanations. In P.C. Dodwell and T. Caelli (Eds.), Figural
synthesis, Hillsdale, NJ: L. Erlbaum Associates, 1-30.
* 19: Hochberg, J. (1984). The perception of pictorial representations.
Social Research, 51, 841-862.
* 20: Hochberg, J. and Brooks, V. (1996). Movies in the Minds Eye. In
D. Bordwell and N. Carroll (Eds.), Post-Theory: Reconstructing Film
Studies. Madison, WI: University of Wisconsin Press, 368-387.
* 21: Looking Ahead (One Glance At a Time), Julian Hochberg
*
*
* 22: The Piecemeal, Constructive, and Schematic Nature of Perception
* 23: Barbara Gillam: Hochberg: A Perceptual Psychologist
*
* 24: James T. Enns and Erin Austen: Mental Schemata And The Limits Of
Perception
* 25: Mary M. Hayhoe: Integration of Visual Information across Saccades
* 26: Helene Intraub: Scene Perception: The World Through a Window
* 27: Daniel Reisberg: How Big Is A Stimulus? Learning About Imagery By
Studying Perception
* 28: Patricia R. DeLucia: How Big Is an Optical Invariant? Limits of
Tau in Time-to-Contact Judgments
* 29: Arien Mack: Hochberg And Inattentional Blindness
*
* 30: James Cutting: Framing The Rules Of Perception: Hochberg Vs.
Galileo, Gestalts, Garner, And Gibson
* 31: James T. Todd: On The Internal Consistency of Perceptual
Organization
* 32: James R. Pomerantz: Piecemeal Perception and Hochbergs Window:
Grouping of Stimulus Elements over Distances
* 33: Peter A. van der Helm: The resurrection of simplicity in vision
* 34: Zygmunt Pizlo: Shape Constancy and Perceptual Simplicity:
Hochberg's Fundamental Contributions
* 35: Paul M Corballis: Constructing and Interpreting the World in the
Cerebral Hemispheres
* 36: Philip J. Kellman and Patrick Garrigan: egmentation, Grouping,
and Shape: Some Hochbergian Questions
*
* 37: Daniel J. Simons and Daniel T. Levin: Ideas of Lasting Influence:
Hochbergs anticipation of research on change blindness and motion
picture perception
* 38: Ed S. Tan: On The Cognitive Ecology Of The Cinema
* 39: H.A. Sedgwick: Hochberg On The Perception Of Pictures And Of The
World
* 40: Jeremy Beer: Celebrating The Usefulness Of Pictorial Information
In Visual Perception
* 41: Dale S. Kopfler: Mental Structure in Experts Perception of Human
Movement
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