106,99 €
inkl. MwSt.
Versandkostenfrei*
Versandfertig in über 4 Wochen
payback
53 °P sammeln
  • Broschiertes Buch

This comparative, interdisciplinary study investigates the relationship between literature and the visual arts in France and Britain from 1750-1900. Through a close examination of the prose writings of Diderot, Baudelaire and Ruskin, read against the background of contemporary philosophy, aesthetics and theories of language, In the Mind's Eye proposes a new interpretation of the influence and rivalries underlying the development of art criticism as a genre during this period. The visual impulse - the desire to transcend the limitations of language and make the reader see - is located within…mehr

Produktbeschreibung
This comparative, interdisciplinary study investigates the relationship between literature and the visual arts in France and Britain from 1750-1900. Through a close examination of the prose writings of Diderot, Baudelaire and Ruskin, read against the background of contemporary philosophy, aesthetics and theories of language, In the Mind's Eye proposes a new interpretation of the influence and rivalries underlying the development of art criticism as a genre during this period. The visual impulse - the desire to transcend the limitations of language and make the reader see - is located within the historical traditions of ekphrasis, enargeia and the paragone, while in each chapter, the individual author's theories of the mind, memory and imagination provide a critical framework for his stylistic experiments. In the Mind's Eye presents an in-depth analysis of the cultural, theoretical and aesthetic implications of artistic border crossings, and by contextualizing the movement toward visual/verbal hybridity in the fiction and criticism of Diderot, Baudelaire and Ruskin, brings new perspectives to nineteenth-century studies in art and literature.

Contents: Acknowledgments
Introduction The Visual Impulse in Prose: Border Crossings and the Anxieties of Interdisciplinarity
Chapter 1 Towards a Visual Discourse: Theories of the Origin of Language, Enargeia, Ekphrasis and Associationism
Chapter 2 Diderot's Visual Prose: Gesture, Hieroglyph and the Visual Imagination
Chapter 3 Baudelaire and the Salons: The Critic as Artist
Chapter 4 Les Paradis Artificiels, Le Surnaturel and the Prose Poem : The Aesthetics of Psychological Flânerie
Chapter 5 Ruskin and the Language of Images
Chapter 6 Ruskin's Moving Images: The Politics and the Poetics of the Paragone
Conclusion Diderot, Baudelaire, Ruskin: Envisioning Visionaries
Bibliography
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Autorenporträt
Alexandra Wettlaufer is an Associate Professor of French and Comparative Literature at the University of Texas at Austin. The author of Pen vs. Paintbrush: Girodet, Balzac and the Myth of Pygmalion, she specializes in nineteenth-century literature and the visual arts.