In Inca Music Reimagined, author Vera Wolkowicz argues that Peruvian, Ecuadorian, and Argentine composers in the early twentieth century consciously featured indigenous signifiers in their operas in order to produce a self-consciously Latin American art.
In Inca Music Reimagined, author Vera Wolkowicz argues that Peruvian, Ecuadorian, and Argentine composers in the early twentieth century consciously featured indigenous signifiers in their operas in order to produce a self-consciously Latin American art.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Vera Wolkowicz holds a PhD in Music from the University of Cambridge. Her research focuses on Latin American musical nationalisms during the first decades of the twentieth century, and Italian opera in mid-nineteenth-century Buenos Aires. She has been recently awarded an H2020 Marie Sklodowska-Curie Actions Individual Fellowship at the Centre de Recherches sur les Arts et le Langage, École des Hautes Études en Sciences Sociales. She is the author of Música de América. Estudio preliminar y edición crítica (2012) and has co-edited the unpublished scores of Argentine composer Carlos Guastavino (1912-2000).
Inhaltsangabe
* List of Figures * List of Musical Examples * Acknowledgments * Introduction - Indigenous musical heritage and Latin American art music * 1. Shaping a continental identity: race, nations, civilizations, utopia, and the arts * 2. "We are the Incas" Discussing Indigenism in national musical discourse in Peru * 3. To be Inca or not to be Inca? Building Ecuador's musical past * 4. Argentina and the appropriation of the Inca past? * 5. The Incas go to the opera? * Epilogue - Art music and the Incas: past and present * Bibliography * List of journals and newspapers consulted * Index
* List of Figures * List of Musical Examples * Acknowledgments * Introduction - Indigenous musical heritage and Latin American art music * 1. Shaping a continental identity: race, nations, civilizations, utopia, and the arts * 2. "We are the Incas" Discussing Indigenism in national musical discourse in Peru * 3. To be Inca or not to be Inca? Building Ecuador's musical past * 4. Argentina and the appropriation of the Inca past? * 5. The Incas go to the opera? * Epilogue - Art music and the Incas: past and present * Bibliography * List of journals and newspapers consulted * Index
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