A look at the camp cult appeal of MGM musicals of the 1940s and 50s to gay men today, along with an historical analysis of the films' production histories.
A look at the camp cult appeal of MGM musicals of the 1940s and 50s to gay men today, along with an historical analysis of the films' production histories.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Acknowledgments vii Introduction 1 1. Improbable Stuff: Camp and the MGM House Style 41 2. The Lady is a Camp: Glamour, Star Turns, and the Boys in the Chorus 88 3. Dancing with Balls: Sissies, Sailors, and the Camp Masculinity of Gene Kelly 149 4. What a Glorious Classic: Singin’ in the Rain and Mass-Camp Recycling 200 5. Hollywood’s Most Precious Jewels: The MGM Musical’s Return As a Camp Commodity 246 6. Judy on the Net: Garland, Camp, and Contemporary Fandom 287 Conclusion 337 Notes 343 Works Cited 353 Index 361
Acknowledgments vii Introduction 1 1. Improbable Stuff: Camp and the MGM House Style 41 2. The Lady is a Camp: Glamour, Star Turns, and the Boys in the Chorus 88 3. Dancing with Balls: Sissies, Sailors, and the Camp Masculinity of Gene Kelly 149 4. What a Glorious Classic: Singin’ in the Rain and Mass-Camp Recycling 200 5. Hollywood’s Most Precious Jewels: The MGM Musical’s Return As a Camp Commodity 246 6. Judy on the Net: Garland, Camp, and Contemporary Fandom 287 Conclusion 337 Notes 343 Works Cited 353 Index 361
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