Jordache A. Ellapen examines the visual and performance art practices of feminist, queer, femme, and gender nonconforming Afro-Indian and South African black artists to understand the paradoxes of freedom in contemporary South Africa.
Jordache A. Ellapen examines the visual and performance art practices of feminist, queer, femme, and gender nonconforming Afro-Indian and South African black artists to understand the paradoxes of freedom in contemporary South Africa.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jordache A. Ellapen is Associate Professor in the Department of Black Studies at the University of Rochester and coeditor of we remember differently: Race, Memory, Imagination.
Inhaltsangabe
Preface ix Acknowledgments xix Introduction. Afro-Normativity, Indenture Aesthetics, and South African Blackness 1 1. Afro-Femininities: Maternal Archives as Sites of Queer-Feminist Futures 51 2. Afro-Vulnerabilities and the Aesthetics of Slow Death: Memory, Trauma, and Labor 89 3. Afro-Intimacies: Queer-Kinship Formations and African Rurality 123 4. Afro-Transgressions: Queer Femininities and South African Sex Publics 161 Coda. Afro-Queer Diasporic Femininities and Emergent Imaginaries of Freedom 195 Notes 211 References 223 Index 245
Preface ix Acknowledgments xix Introduction. Afro-Normativity, Indenture Aesthetics, and South African Blackness 1 1. Afro-Femininities: Maternal Archives as Sites of Queer-Feminist Futures 51 2. Afro-Vulnerabilities and the Aesthetics of Slow Death: Memory, Trauma, and Labor 89 3. Afro-Intimacies: Queer-Kinship Formations and African Rurality 123 4. Afro-Transgressions: Queer Femininities and South African Sex Publics 161 Coda. Afro-Queer Diasporic Femininities and Emergent Imaginaries of Freedom 195 Notes 211 References 223 Index 245
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