Independence in 21st-Century Popular Music
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"Can music be made "independently" in the 21st century? More than a generation of musicians, music workers, and music companies have now been operating in the context of profound shifts in music dissemination and production in the "digital era." Scholarly focus on musical independence has often been centered on genres, like punk and indie, rooted in the US and UK. This volume, focused outside the Euro-American context, shows the variety of ways musicians, music workers and businesses manage the economic, media and cultural shifts intertwined with digitalization, asking what it means now to say one is "independent.""--…mehr

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Produktbeschreibung
"Can music be made "independently" in the 21st century? More than a generation of musicians, music workers, and music companies have now been operating in the context of profound shifts in music dissemination and production in the "digital era." Scholarly focus on musical independence has often been centered on genres, like punk and indie, rooted in the US and UK. This volume, focused outside the Euro-American context, shows the variety of ways musicians, music workers and businesses manage the economic, media and cultural shifts intertwined with digitalization, asking what it means now to say one is "independent.""--
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Autorenporträt
Shannon Garland is Assistant Professor of Music at the University of Pittsburgh. Her research draws on economic anthropology, social reproduction theory and Marxism to examine the transnational indie music industry across the US and Latin America. She has published on music venues & social media; Spotify playlists; sociality, aesthetics and politics; and labor, value and commodification. Pedro Belchior Nunesis an integrated researcher at the Institute of Ethnomusicology (INET-md), New University of Lisbon and a Guest Lecturer with Lisbon's Open University. He has researched and published several articles on topics such as music journalism and criticism, the recording industry in Portugal and questions of sustainability in independent labels and musicians. Pedro Roxo is Assistant Professor on graduate and postgraduate courses focusing on Ethnomusicology, Jazz, and Popular Music Studies and an integrated researcher at the Institute of Ethnomusicology at the Faculty of Human and Social Sciences, New University of Lisbon, Portugal. He is co-editor of Current Issues in Music Research: Copyright, Power and Transnational Music Processes (2012).