Thomas Fabian Eder

Independent Performing Arts in Europe

Establishment and Survival of an Emerging Field

• Broschiertes Buch

Produktbeschreibung

This structural account of independent performing arts in Europe is complimented by an analysis of the challenging social situation within the field.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 162
• Erscheinungstermin: 18. Dezember 2024
• Englisch
• Abmessung: 229mm x 152mm x 10mm
• Gewicht: 245g
• ISBN-13: 9781032480183
• ISBN-10: 1032480181
• Artikelnr.: 72105753

Autorenporträt

Thomas Fabian Eder is a postdoctoral research fellow at the DFG research group Configurations of Crisis (DFG-Forschungsgruppe Krisengefüge der Künste), School of Arts, Theatre Studies Institute at Ludwig-Maximilians-University, Munich.

Inhaltsangabe

Preface
List of acronyms and abbreviations
Introduction
Chapter 1: Institutional Change between Structural Barriers and Agency
Chapter 2: Design and Implementation of a Mixed Methods Strategy
Chapter 3: Exploring the Independent Performing Arts in Europe
Chapter 4: The Future from Here
Appendix 1
Appendix 2
Appendix 3
Appendix 4
Appendix 5
Appendix 6
Index

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Preface

List of acronyms and abbreviations

Introduction

Chapter 1: Institutional Change between Structural Barriers and Agency

Chapter 2: Design and Implementation of a Mixed Methods Strategy

Chapter 3: Exploring the Independent Performing Arts in Europe

Chapter 4: The Future from Here



Appendix 1

Appendix 2

Appendix 3

Appendix 4

Appendix 5

Appendix 6

Index

Rezensionen

''This book constitutes an impressive piece of original research, using methods which are unusual in the field of theatre studies. It examines in remarkable empirical detail a whole range of questions regarding income, social security, and governance of the independent performing arts in Europe. It will become a benchmark for future research.'' Professor Christopher Balme, Ludwig-Maximilians-Universität Munich, Germany

''This is the first comprehensive and comparative study into the independent performing arts in Europe. The book is pathbreaking in its empirical richness and institutional analysis. I highly recommend it to all practitioners and scholars who seek to gain a deeper understanding of current field dynamics in the performing arts.'' Professor Axel Haunschild, Leibniz Universität Hannover, Germany