Indian Cinema Beyond Bollywood
The New Independent Cinema Revolution
Herausgeber: Devasundaram, Ashvin Immanuel
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Indian Cinema Beyond Bollywood
The New Independent Cinema Revolution
Herausgeber: Devasundaram, Ashvin Immanuel
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This edited volume on new independent Indian cinema is a comprehensive compendium of diverse theoretical, philosophical, epistemological and practice-based perspectives, featuring contributions from multidisciplinary scholars across the world.
This edited volume on new independent Indian cinema is a comprehensive compendium of diverse theoretical, philosophical, epistemological and practice-based perspectives, featuring contributions from multidisciplinary scholars across the world.
Produktdetails
- Produktdetails
- Verlag: CRC Press
- Seitenzahl: 290
- Erscheinungstermin: 30. Juni 2020
- Englisch
- Abmessung: 229mm x 152mm x 16mm
- Gewicht: 413g
- ISBN-13: 9780367583934
- ISBN-10: 0367583933
- Artikelnr.: 69890382
- Verlag: CRC Press
- Seitenzahl: 290
- Erscheinungstermin: 30. Juni 2020
- Englisch
- Abmessung: 229mm x 152mm x 16mm
- Gewicht: 413g
- ISBN-13: 9780367583934
- ISBN-10: 0367583933
- Artikelnr.: 69890382
Ashvin Immanuel Devasundaram is Lecturer in World Cinema at Queen Mary, University of London, and author of India's New Independent Cinema: Rise of the Hybrid (Routledge, 2016). Ashvin was on the advisory panel for BFI India on Film - part of the UK-India Year of Culture 2017. He is Programming Adviser and Associate Director of the UK Asian Film Festival - London (UKAFF), former Creative Director and founder of the Edinburgh Asian Film Festival (EAFF) and a BBC Academy Expert Voice in Cultural Studies and Visual Arts. Apart from several publications, including the co-edited anthology South Asian Diasporic Cinema and Theatre: Re-visiting Screen and Stage in the New Millennium (Rawat Publications, 2017), Ashvin has delivered an array of international presentations and lectures. These include keynote speeches at the Cinema For All (British Federation of Film Societies) Community Cinema Conference 2017 and the Annual Dadasaheb Phalke Memorial Lecture 2015 in London. Ashvin directed the documentary film Movies, Memories, Magic (2018) charting the London-based South Asian diaspora's memories of cinema.
Foreword: ROSIE THOMAS Introduction: New Independent Indian Cinema:
Disciplinary Evolution and Cinematic Revolution ASHVIN I. DEVASUNDARAM
Chapter 1: Anhey Ghorhey Da Daan: The Politics and Legacies of the New Wave
Movement in Contemporary Indian Cinema ANUJA JAIN Chapter 2: From New
Cinema to New Indie Cinema: The Story of NFDC and Film Bazaar SUDHA TIWARI
Chapter 3: Breaking Curfew, Presenting Utopia: Vishal Bhardwaj's Haider
Inside the National and International Legal Framework PRETI TANEJA Chapter
4: Queer Radiance: Margarita with a Straw, Disability and Vision AMY
VILLAREJO Chapter 5: Indie Crowdfunded Narratives of Commercial Surrogacy,
or the Contested Bodies of Neoliberalism: Onir's "I Am Afia" and Arpita
Kumar's Sita ANA CRISTINA MENDES Chapter 6: Film Festivals as Cosmopolitan
Assemblages: A Case Study in Diasporic Cocreation MONIA ACCIARI Chapter 7:
Documentary as Witness; Documentary as Counter-Narrative: The Cinema of
Sanjay Kak APARNA SHARMA Chapter 8: DiverCity: Independent Documentary as
an Alternative Narrative of the City FAIZ ULLAH, ANJALI MONTEIRO AND K.P.
JAYASANKAR Chapter 9: Zanjeer to Pink: The Trajectory of Amitabh Bachchan's
Angry Young/Old Man Persona from Mainstream to Indie Cinema SWARNAVEL
ESWARAN Chapter 10: Rapping in Double Time: Gandu's Subversive Time of
Liberation ASHVIN IMMANUEL DEVASUNDARAM Chapter 11: Sairat's Transgressive
Femininity: Quizzing Marathi Cinema AARTI WANI Chapter 12: Untold Stories,
Representations and Contestations: Masaan (Crematorium) and Asha Jaoar
Majhe (Labour of Love) SANGEETA DATTA Chapter 13: Haobam Paban Kumar and
the Cinemas of North East India MEENAKSHI SHEDDE Chapter 14: The Subaltern
Screams: Migrant Workers and the Police Station as Spatio-Carceral State of
Exception in Tamil film Visaranai ASHVIN I. DEVASUNDARAM ContributorsIndex
Disciplinary Evolution and Cinematic Revolution ASHVIN I. DEVASUNDARAM
Chapter 1: Anhey Ghorhey Da Daan: The Politics and Legacies of the New Wave
Movement in Contemporary Indian Cinema ANUJA JAIN Chapter 2: From New
Cinema to New Indie Cinema: The Story of NFDC and Film Bazaar SUDHA TIWARI
Chapter 3: Breaking Curfew, Presenting Utopia: Vishal Bhardwaj's Haider
Inside the National and International Legal Framework PRETI TANEJA Chapter
4: Queer Radiance: Margarita with a Straw, Disability and Vision AMY
VILLAREJO Chapter 5: Indie Crowdfunded Narratives of Commercial Surrogacy,
or the Contested Bodies of Neoliberalism: Onir's "I Am Afia" and Arpita
Kumar's Sita ANA CRISTINA MENDES Chapter 6: Film Festivals as Cosmopolitan
Assemblages: A Case Study in Diasporic Cocreation MONIA ACCIARI Chapter 7:
Documentary as Witness; Documentary as Counter-Narrative: The Cinema of
Sanjay Kak APARNA SHARMA Chapter 8: DiverCity: Independent Documentary as
an Alternative Narrative of the City FAIZ ULLAH, ANJALI MONTEIRO AND K.P.
JAYASANKAR Chapter 9: Zanjeer to Pink: The Trajectory of Amitabh Bachchan's
Angry Young/Old Man Persona from Mainstream to Indie Cinema SWARNAVEL
ESWARAN Chapter 10: Rapping in Double Time: Gandu's Subversive Time of
Liberation ASHVIN IMMANUEL DEVASUNDARAM Chapter 11: Sairat's Transgressive
Femininity: Quizzing Marathi Cinema AARTI WANI Chapter 12: Untold Stories,
Representations and Contestations: Masaan (Crematorium) and Asha Jaoar
Majhe (Labour of Love) SANGEETA DATTA Chapter 13: Haobam Paban Kumar and
the Cinemas of North East India MEENAKSHI SHEDDE Chapter 14: The Subaltern
Screams: Migrant Workers and the Police Station as Spatio-Carceral State of
Exception in Tamil film Visaranai ASHVIN I. DEVASUNDARAM ContributorsIndex
Foreword: ROSIE THOMAS Introduction: New Independent Indian Cinema:
Disciplinary Evolution and Cinematic Revolution ASHVIN I. DEVASUNDARAM
Chapter 1: Anhey Ghorhey Da Daan: The Politics and Legacies of the New Wave
Movement in Contemporary Indian Cinema ANUJA JAIN Chapter 2: From New
Cinema to New Indie Cinema: The Story of NFDC and Film Bazaar SUDHA TIWARI
Chapter 3: Breaking Curfew, Presenting Utopia: Vishal Bhardwaj's Haider
Inside the National and International Legal Framework PRETI TANEJA Chapter
4: Queer Radiance: Margarita with a Straw, Disability and Vision AMY
VILLAREJO Chapter 5: Indie Crowdfunded Narratives of Commercial Surrogacy,
or the Contested Bodies of Neoliberalism: Onir's "I Am Afia" and Arpita
Kumar's Sita ANA CRISTINA MENDES Chapter 6: Film Festivals as Cosmopolitan
Assemblages: A Case Study in Diasporic Cocreation MONIA ACCIARI Chapter 7:
Documentary as Witness; Documentary as Counter-Narrative: The Cinema of
Sanjay Kak APARNA SHARMA Chapter 8: DiverCity: Independent Documentary as
an Alternative Narrative of the City FAIZ ULLAH, ANJALI MONTEIRO AND K.P.
JAYASANKAR Chapter 9: Zanjeer to Pink: The Trajectory of Amitabh Bachchan's
Angry Young/Old Man Persona from Mainstream to Indie Cinema SWARNAVEL
ESWARAN Chapter 10: Rapping in Double Time: Gandu's Subversive Time of
Liberation ASHVIN IMMANUEL DEVASUNDARAM Chapter 11: Sairat's Transgressive
Femininity: Quizzing Marathi Cinema AARTI WANI Chapter 12: Untold Stories,
Representations and Contestations: Masaan (Crematorium) and Asha Jaoar
Majhe (Labour of Love) SANGEETA DATTA Chapter 13: Haobam Paban Kumar and
the Cinemas of North East India MEENAKSHI SHEDDE Chapter 14: The Subaltern
Screams: Migrant Workers and the Police Station as Spatio-Carceral State of
Exception in Tamil film Visaranai ASHVIN I. DEVASUNDARAM ContributorsIndex
Disciplinary Evolution and Cinematic Revolution ASHVIN I. DEVASUNDARAM
Chapter 1: Anhey Ghorhey Da Daan: The Politics and Legacies of the New Wave
Movement in Contemporary Indian Cinema ANUJA JAIN Chapter 2: From New
Cinema to New Indie Cinema: The Story of NFDC and Film Bazaar SUDHA TIWARI
Chapter 3: Breaking Curfew, Presenting Utopia: Vishal Bhardwaj's Haider
Inside the National and International Legal Framework PRETI TANEJA Chapter
4: Queer Radiance: Margarita with a Straw, Disability and Vision AMY
VILLAREJO Chapter 5: Indie Crowdfunded Narratives of Commercial Surrogacy,
or the Contested Bodies of Neoliberalism: Onir's "I Am Afia" and Arpita
Kumar's Sita ANA CRISTINA MENDES Chapter 6: Film Festivals as Cosmopolitan
Assemblages: A Case Study in Diasporic Cocreation MONIA ACCIARI Chapter 7:
Documentary as Witness; Documentary as Counter-Narrative: The Cinema of
Sanjay Kak APARNA SHARMA Chapter 8: DiverCity: Independent Documentary as
an Alternative Narrative of the City FAIZ ULLAH, ANJALI MONTEIRO AND K.P.
JAYASANKAR Chapter 9: Zanjeer to Pink: The Trajectory of Amitabh Bachchan's
Angry Young/Old Man Persona from Mainstream to Indie Cinema SWARNAVEL
ESWARAN Chapter 10: Rapping in Double Time: Gandu's Subversive Time of
Liberation ASHVIN IMMANUEL DEVASUNDARAM Chapter 11: Sairat's Transgressive
Femininity: Quizzing Marathi Cinema AARTI WANI Chapter 12: Untold Stories,
Representations and Contestations: Masaan (Crematorium) and Asha Jaoar
Majhe (Labour of Love) SANGEETA DATTA Chapter 13: Haobam Paban Kumar and
the Cinemas of North East India MEENAKSHI SHEDDE Chapter 14: The Subaltern
Screams: Migrant Workers and the Police Station as Spatio-Carceral State of
Exception in Tamil film Visaranai ASHVIN I. DEVASUNDARAM ContributorsIndex