Indie TV

Industry, Aesthetics and Medium Specificity
Herausgeber: Lyons, James; Tzioumakis, Yannis

• Broschiertes Buch

Produktbeschreibung

This edited collection is the first book to offer a wide-ranging examination of the interface between American independent film and a converged television landscape that consists of terrestrial broadcasters, cable networks and streaming providers, in which independent film and television intersect in complex, multifaceted and creative ways.

Produktdetails

• Verlag: Taylor & Francis Ltd
• Seitenzahl: 372
• Erscheinungstermin: 27. März 2023
• Englisch
• Abmessung: 234mm x 156mm x 21mm
• Gewicht: 598g
• ISBN-13: 9780367677282
• ISBN-10: 0367677288
• Artikelnr.: 65919126

Autorenporträt

James Lyons is Associate Professor in Screen Studies at the University of Exeter. He is the author or co-editor of six books, including Documentary, Performance and Risk (2020), Miami Vice (2010) and Quality Popular Television (2003). Yannis Tzioumakis is Reader in Film and Media Industries at the University of Liverpool. He is the author and editor of eleven books, most recently United Artists (2020). He also co-edits the Routledge Hollywood Centenary and the Cinema and Youth Cultures book series.

Inhaltsangabe

Part 1: Indie Film and Television: Historical Relationships 1. Indie (Film
on) TV: A Tale of two very Close Friends 2. Same Word, Different Medium:
The Evolution of Indie TV since the 2000s' Part 2: Indie Film and
Television: Industrial Continuities 3. (Re-)Branding Sundance: Entering the
Indie TV Market 4. Packaging the 'Purest' form of Indie TV: Michael Sugar,
Talent Management and Indie-Auteur Clients' 5. 'The Things That Keep Us Up
at Night': Blumhouse Television and Indie Horror's Small Screen Dispersal
Part 3: Filmmakers Migration from Indie Film to TV (and back) 6. From
Brick to Breaking Bad: 'Quality' Television Style, Authorship and
'Cinematic' Status 7. Mumblecore's Second Act: Millennial Indie
Moviemaking's Migration to Television 8. Apocalyptic Visions and Commercial
Constraints: Gregg Araki's Negotiation of Emerging Modes of Indie TV
Auteurship Part 4: Indie TV: Aesthetic and Institutional Trajectories 9.
Prestige TV, Comedy, and the Indie Aesthetic 10. Netflix, Race and
Cinephilia: Master of None and Indie TV 11. 'It may Be Where the Future of
Independent Production Is Happening': Netflix and Indie Aesthetics in GLOW
12. Affect, Tabloid Reality TV and Indie Cinema Part 5: Indie TV and
Regional Sensibilities 13. Fargo (2014-2020): Indie Cinema, Midwest
Mobsters, and Indie TV 14. Gender, Family, and Therapeutic Regionalism in
One Mississippi Part 6: Indie TV and Alternative Practices 15. Indie TV in
the Streaming Era 16. Web Series as Indie TV: Intersectional Identities and
Intersecting Media 17. 'A Decade of Distinction': A&E IndieFilms and the
Channelling of Documentary