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Matthew H. Brown explores the connections between Nigeria's booming film industry, state television, and colonial legacies that together involve spectators in global capitalism while denying them its privileges.

Produktbeschreibung
Matthew H. Brown explores the connections between Nigeria's booming film industry, state television, and colonial legacies that together involve spectators in global capitalism while denying them its privileges.
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Autorenporträt
Matthew H. Brown is Assistant Professor of African Cultural Studies at the University of Wisconsin–Madison.