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[T]o slaughter fellow-citizens, to betray friends, to be devoid of pity, honor, and religion, cannot be counted as merits, for these are means which may lead to power, but which confer no glory. -from The Prince Here, in one volume, are three of the greatest works of the Renaissance, artifacts of the flowering of learning and culture in Europe that gave birth to our modern world: . The Prince, by Niccolo Machiavelli (1469-1527), is one of the most significant-and most remarkably misunderstood-essays on government ever written. A product of the political intrigue of Florentine Italy, it is a…mehr

Produktbeschreibung
[T]o slaughter fellow-citizens, to betray friends, to be devoid of pity, honor, and religion, cannot be counted as merits, for these are means which may lead to power, but which confer no glory. -from The Prince Here, in one volume, are three of the greatest works of the Renaissance, artifacts of the flowering of learning and culture in Europe that gave birth to our modern world: . The Prince, by Niccolo Machiavelli (1469-1527), is one of the most significant-and most remarkably misunderstood-essays on government ever written. A product of the political intrigue of Florentine Italy, it is a stunning commentary on ambition and the uses and misuses of power. . Utopia, by Sir Thomas More (1478-1535), is a startling work of social and cultural philosophy that may also, with its fictional conceit, be considered a forerunner of the novel. . Ninety-Five Theses, by Martin Luther (1483-1546), ushered in the religious upheaval of the Reformation. A searing indictment of the corruption in the Catholic Church, Luther's writings laid the foundations for the diverse religious culture in which we live today. With its introductory notes and commentary, this edition, first published in 1910, is a compact course in humanities and cultural history, and essential reading for any liberal education.
Autorenporträt
Niccolò di Bernardo dei Machiavelli ( 3 May 1469 - 21 June 1527) was an Italian Renaissance diplomat, philosopher and writer, best known for The Prince (Il Principe), written in 1513. He has often been called the father of modern political philosophy or political science. For many years he served as a senior official in the Florentine Republic with responsibilities in diplomatic and military affairs. He wrote comedies, carnival songs, and poetry. His personal correspondence is of high importance to historians and scholars. He worked as secretary to the Second Chancery of the Republic of Florence from 1498 to 1512, when the Medici were out of power. Machiavelli's name came to evoke unscrupulous politicians of the sort Machiavelli advised most famously in The Prince.[7] Machiavelli considered political battles, not through a lens of morality, but as though they are a board game with established rules. His experience showed him that politics has always been played with deception, treachery and crime.[8] He also notably said that a ruler who is establishing a kingdom or a republic, and is criticized for his deeds, including violence, should be excused when the intention and the result is beneficial.[9][10][11] Machiavelli's Prince was much read as a manuscript long before it was published in 1532. The reaction was mixed: Some considered it a straightforward description of "the evil means used by bad rulers; others read in it evil recommendations to tyrants to help them maintain their power."[12] The term Machiavellian often connotes political deceit, deviousness, and realpolitik. Even though Machiavelli has become most famous for his work on principalities, scholars also give attention to the exhortations in his other works of political philosophy. While much less well known than The Prince, the Discourses on Livy (composed c.¿1517) is often said to have paved the way of modern republicanism