Inglorious Artists - Desplanque, Kathryn
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Inglorious Artists studies how artists used graphic satire as a vehicle to criticize the emergence of a free market for art in the eighteenth and nineteenth centuries. The starving or inglorious artist was the protagonist of their imagery. This data-driven study explores the evolving trope of the inglorious artist, his antagonists, and his environment through an exploration of 532 printed satirical images.

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Produktbeschreibung
Inglorious Artists studies how artists used graphic satire as a vehicle to criticize the emergence of a free market for art in the eighteenth and nineteenth centuries. The starving or inglorious artist was the protagonist of their imagery. This data-driven study explores the evolving trope of the inglorious artist, his antagonists, and his environment through an exploration of 532 printed satirical images.
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Autorenporträt
Kathryn Desplanque is an assistant professor of eighteenth- and nineteenth-Century European art in the Department of Art and Art History at the University of North Carolina at Chapel Hill. Her work specializes in eighteenth- and nineteenth-century European visual culture, particularly French and English imagery. She has authored numerous book chapters and has published articles in such journals as Eighteenth-Century Studies, Biblio 17: Voyages, rencontres, échanges au XVIIe siècle, and The Art Bulletin. Her current book project, Papermania, charts the growing popularity of scrap sheets and scrapbooking across France, England, and North America during the late eighteenth and nineteenth centuries.