Maaret Koskinen is professor of cinema studies at Stockholm University and the author of several books on Ingmar Bergman's work.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Maaret Koskinen is professor of cinema studies at Stockholm University and the author of several books on Ingmar Bergman's work.
Inhaltsangabe
PART ONE Backdrops and Contexts 1. National Cinema, Art Film, and the Auteur The Auteur Contextualized Antonioni: "That Perpetual Foil to Bergman" Art Versus Business The Auteur as Star The Art of Reinventing Authorship 2. Censorship Issues: Sex, Women, and Hollywood The Silence at Home: Debate and Controversy The Silence Abroad: "The Bergman Ballyhoo Era" Gender Issues: Now What About All These Women? Director and Actress: Nudity and Power Relations PART TWO Works in Progress: Intermedial Variations 3. In the Beginning Was (the Fear of) the Word: Notebooks From Word to Sound . . . to Music and Painting 4. In Between Words and Images: Manuscripts and Screenplays Edits: Too Many Words Sex and the City: The Eroticism of Language The Published Screenplay: Senses and Synesthetics Excursion: Flash Forward to a Writer Let Loose PART THREE The Finished Film 5. Framing the Senses Sounds and Linguistic Voids Beginnings: Windows and Sights Paintings and Tableaux Vivants The Phenomenology of Vision: Hotel Excursions The Eroticism of Vision: Mirrors and Doorways The Close-Up: The Bergman Icon Conclusion Production Notes Filmography Transcript of the U.S. Trailer for The Silence Bibliography
PART ONE Backdrops and Contexts 1. National Cinema, Art Film, and the Auteur The Auteur Contextualized Antonioni: "That Perpetual Foil to Bergman" Art Versus Business The Auteur as Star The Art of Reinventing Authorship 2. Censorship Issues: Sex, Women, and Hollywood The Silence at Home: Debate and Controversy The Silence Abroad: "The Bergman Ballyhoo Era" Gender Issues: Now What About All These Women? Director and Actress: Nudity and Power Relations PART TWO Works in Progress: Intermedial Variations 3. In the Beginning Was (the Fear of) the Word: Notebooks From Word to Sound . . . to Music and Painting 4. In Between Words and Images: Manuscripts and Screenplays Edits: Too Many Words Sex and the City: The Eroticism of Language The Published Screenplay: Senses and Synesthetics Excursion: Flash Forward to a Writer Let Loose PART THREE The Finished Film 5. Framing the Senses Sounds and Linguistic Voids Beginnings: Windows and Sights Paintings and Tableaux Vivants The Phenomenology of Vision: Hotel Excursions The Eroticism of Vision: Mirrors and Doorways The Close-Up: The Bergman Icon Conclusion Production Notes Filmography Transcript of the U.S. Trailer for The Silence Bibliography
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