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- Produkterinnerung
Maaret Koskinen is professor of cinema studies at Stockholm University and the author of several books on Ingmar Bergman's work.
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Maaret Koskinen is professor of cinema studies at Stockholm University and the author of several books on Ingmar Bergman's work.
Produktdetails
- Produktdetails
- Verlag: University of Washington Press
- Seitenzahl: 208
- Erscheinungstermin: 27. Januar 2010
- Englisch
- Abmessung: 189mm x 140mm x 18mm
- Gewicht: 245g
- ISBN-13: 9780295989433
- ISBN-10: 0295989432
- Artikelnr.: 26523980
- Verlag: University of Washington Press
- Seitenzahl: 208
- Erscheinungstermin: 27. Januar 2010
- Englisch
- Abmessung: 189mm x 140mm x 18mm
- Gewicht: 245g
- ISBN-13: 9780295989433
- ISBN-10: 0295989432
- Artikelnr.: 26523980
Maaret Koskinen
PART ONE Backdrops and Contexts
1. National Cinema, Art Film, and the Auteur
The Auteur Contextualized
Antonioni: "That Perpetual Foil to Bergman"
Art Versus Business
The Auteur as Star
The Art of Reinventing Authorship
2. Censorship Issues: Sex, Women, and Hollywood
The Silence at Home: Debate and Controversy
The Silence Abroad: "The Bergman Ballyhoo Era"
Gender Issues: Now What About All These Women?
Director and Actress: Nudity and Power Relations
PART TWO Works in Progress: Intermedial Variations
3. In the Beginning Was (the Fear of) the Word: Notebooks
From Word to Sound . . . to Music and Painting
4. In Between Words and Images: Manuscripts and Screenplays
Edits: Too Many Words
Sex and the City: The Eroticism of Language
The Published Screenplay: Senses and Synesthetics
Excursion: Flash Forward to a Writer Let Loose
PART THREE The Finished Film
5. Framing the Senses
Sounds and Linguistic Voids
Beginnings: Windows and Sights
Paintings and Tableaux Vivants
The Phenomenology of Vision: Hotel Excursions
The Eroticism of Vision: Mirrors and Doorways
The Close-Up: The Bergman Icon
Conclusion
Production Notes
Filmography
Transcript of the U.S. Trailer for The Silence
Bibliography
1. National Cinema, Art Film, and the Auteur
The Auteur Contextualized
Antonioni: "That Perpetual Foil to Bergman"
Art Versus Business
The Auteur as Star
The Art of Reinventing Authorship
2. Censorship Issues: Sex, Women, and Hollywood
The Silence at Home: Debate and Controversy
The Silence Abroad: "The Bergman Ballyhoo Era"
Gender Issues: Now What About All These Women?
Director and Actress: Nudity and Power Relations
PART TWO Works in Progress: Intermedial Variations
3. In the Beginning Was (the Fear of) the Word: Notebooks
From Word to Sound . . . to Music and Painting
4. In Between Words and Images: Manuscripts and Screenplays
Edits: Too Many Words
Sex and the City: The Eroticism of Language
The Published Screenplay: Senses and Synesthetics
Excursion: Flash Forward to a Writer Let Loose
PART THREE The Finished Film
5. Framing the Senses
Sounds and Linguistic Voids
Beginnings: Windows and Sights
Paintings and Tableaux Vivants
The Phenomenology of Vision: Hotel Excursions
The Eroticism of Vision: Mirrors and Doorways
The Close-Up: The Bergman Icon
Conclusion
Production Notes
Filmography
Transcript of the U.S. Trailer for The Silence
Bibliography
PART ONE Backdrops and Contexts
1. National Cinema, Art Film, and the Auteur
The Auteur Contextualized
Antonioni: "That Perpetual Foil to Bergman"
Art Versus Business
The Auteur as Star
The Art of Reinventing Authorship
2. Censorship Issues: Sex, Women, and Hollywood
The Silence at Home: Debate and Controversy
The Silence Abroad: "The Bergman Ballyhoo Era"
Gender Issues: Now What About All These Women?
Director and Actress: Nudity and Power Relations
PART TWO Works in Progress: Intermedial Variations
3. In the Beginning Was (the Fear of) the Word: Notebooks
From Word to Sound . . . to Music and Painting
4. In Between Words and Images: Manuscripts and Screenplays
Edits: Too Many Words
Sex and the City: The Eroticism of Language
The Published Screenplay: Senses and Synesthetics
Excursion: Flash Forward to a Writer Let Loose
PART THREE The Finished Film
5. Framing the Senses
Sounds and Linguistic Voids
Beginnings: Windows and Sights
Paintings and Tableaux Vivants
The Phenomenology of Vision: Hotel Excursions
The Eroticism of Vision: Mirrors and Doorways
The Close-Up: The Bergman Icon
Conclusion
Production Notes
Filmography
Transcript of the U.S. Trailer for The Silence
Bibliography
1. National Cinema, Art Film, and the Auteur
The Auteur Contextualized
Antonioni: "That Perpetual Foil to Bergman"
Art Versus Business
The Auteur as Star
The Art of Reinventing Authorship
2. Censorship Issues: Sex, Women, and Hollywood
The Silence at Home: Debate and Controversy
The Silence Abroad: "The Bergman Ballyhoo Era"
Gender Issues: Now What About All These Women?
Director and Actress: Nudity and Power Relations
PART TWO Works in Progress: Intermedial Variations
3. In the Beginning Was (the Fear of) the Word: Notebooks
From Word to Sound . . . to Music and Painting
4. In Between Words and Images: Manuscripts and Screenplays
Edits: Too Many Words
Sex and the City: The Eroticism of Language
The Published Screenplay: Senses and Synesthetics
Excursion: Flash Forward to a Writer Let Loose
PART THREE The Finished Film
5. Framing the Senses
Sounds and Linguistic Voids
Beginnings: Windows and Sights
Paintings and Tableaux Vivants
The Phenomenology of Vision: Hotel Excursions
The Eroticism of Vision: Mirrors and Doorways
The Close-Up: The Bergman Icon
Conclusion
Production Notes
Filmography
Transcript of the U.S. Trailer for The Silence
Bibliography