This open access book uses new methodologies from the history and sociology of emotions to analyse why people select specific tokens of family inheritance, and how this influences personal identity, cultural heritage, and national memory. Much of our cultural heritage emerges from family histories - with many of the objects curated in museums, stories passed between generations, and monuments marking notable figures being the direct product of familial collections, donations, and investments. This edited collection uses emotion as an analytical tool to interpret such behaviours, and offers…mehr
This open access book uses new methodologies from the history and sociology of emotions to analyse why people select specific tokens of family inheritance, and how this influences personal identity, cultural heritage, and national memory. Much of our cultural heritage emerges from family histories - with many of the objects curated in museums, stories passed between generations, and monuments marking notable figures being the direct product of familial collections, donations, and investments. This edited collection uses emotion as an analytical tool to interpret such behaviours, and offers novel ways to investigate how and why family inheritances from a range of social, racial, and ethnic groups maintain their cultural power, as they move through time and from the private to the public spheres. Drawing on a variety of case studies, and exploring items ranging from Victorian library chairs, to quilts, religious texts, and pieces of intergenerational writing - this volume considers the role of objects and inheritances in the emotional lives of individuals and families, and acknowledges them as agents in the creation of histories and identities. Combining insight from scholars of the history of emotions with that of historians and researchers situated outside the academy, this collection allows fresh insights on family history and material culture to emerge. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 license on bloomsburycollections.com. Open access was funded by UK Research and Innovation.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Katie Barclay is the Deputy Director of the ARC Centre of Excellence for the History of Emotions and Associate Professor in History, University of Adelaide, Australia. Ashley Barnwell is a Senior Research Fellow in Sociology at the University of Melbourne, Australia. Joanne Begiato is a Professor of History and Associate Dean for Research and Knowledge Exchange at Oxford Brookes University, UK. Tanya Evans is Director of the Centre for Applied History and Associate Professor at Macquarie University, Australia. Laura King is Associate Professor of Modern British History at the University of Leeds, UK.
Inhaltsangabe
Introduction: Inheriting the Family Katie Barclay (University of Adelaide Australia) Ashley Barnwell (University of Melbourne Australia) Joanne Begiato (Oxford Brookes University UK) Tanya Evans (Macquarie University Australia) and Laura King (University of Leeds UK) Part I: Visualising Connections Chapter 1: Finding Kalimpong: Curiosity Cognitive Dissonance and Collectivity in a 'Three-World' Family History Jane McCabe (Independent Historian Australia) Chapter 2: Developing Us: Photography Family and Feeling Louise Taylor (Independent Researcher UK) Chapter 3: Object History: Intergenerational Disruption of Memory Identity and Patrimony. The Use of Photographs in the Reconstruction of a Lost Family Michael Heim (University of Adelaide Australia) Chapter 4: Object History: Imagining Ancestors in Family History Katie Barclay (University of Adelaide Australia) Part II: Books That Bring Us Together Chapter 5: The Family Bible and the Early Modern Woman Reader Hannah Upton (Australian National University Australia) Chapter 6: Inheriting Accounts in Early Modern England Imogen Peck (Coventry University UK) Chapter 7: "I Won't Forget You Love When your Time is Up": Re(dis)covering Emotion and Forging Family at Adelaide's Destitute Asylum Corinne Ball (Migration Museum Australia) Chapter 8: Object History: Reading Nana's Bible: Faith Family and the Female Line Catherine Feely (University of Derby UK) Part III: Embodied and Sensory Inheritances Chapter 9: Emotion Recalled from the Kitchen Val Hewson (Reading Sheffield and Sheffield Hallam University UK) Chapter 10: Connecting with Ancestors - 'The Sweet Smell of Success' Kate Wvendth (Leeds University UK) Chapter 11: Untangling the Archive: #HairyObjects and the Stories We Weave Leanne Calvert (University of Hertfordshire UK) Chapter 12: Object History: Telling Stories through my Granny's Cookery books Lucinda Matthews-Jones (Liverpool John Moores University UK) Chapter 13: Object History: 'Nothing More Precious': the Emotional Inheritance of a Hair Locket Joanne Begiato (Oxford Brookes University UK) Part IV: Prized Possessions Chapter 14: 'As Private as a Letter': The Handbook of Chatsworth Intergenerational Family Writing and the British Country House as 'Family Home' Lucy Brownson (University College London UK) Chapter 15: 'Although it Smack Somewhat of the Days that are Gone': Memory Legacy and the Preservation of the Patchwork Quilt Deb McGuire (Oxford Brookes University UK) Chapter 16: Object History: War Writing and Peacetime Preservation: The Role of Families in Salvaging Letters from Twentieth-Century Conflict Emma Carson (University of Adelaide Australia) Chapter 17: Object History: A Mantelpiece of Memories Janet Coles (Independent Historian UK) Chapter 18: Object History: The Victorian Library Chair Sue Child (Leeds University UK) Chapter 19: Object History Asif Shakoor (Independent Scholar UK) Part V: National Identities Chapter 20: Family Community and Nation: Understanding Identity through the History and Heritage of a Deindustrialised Site in the Blue Mountains of Australia Tanya Evans (Macquarie University Australia) Chapter 21: National Myths and Family Forgetting: Interpreting Irish identities through the Unpublished Memoir of an Immigrant Woman in the United States Sarah O'Brien (Mary Immaculate College UK) Chapter 22: Understanding Place in Tasmanian Family Histories Imogen Wegman and Kate Bagnall (both University of Tasmania Australia) Chapter 23: Object History: 'Two Suitcases': A Personal Reflection on a Family Archive Alison Pedley (Independent Researcher UK) Chapter 24: Object History: Family Objects and the Shape of the Settler Imagination Ashley Barnwell (University of Melbourne Australia)
Introduction: Inheriting the Family Katie Barclay (University of Adelaide Australia) Ashley Barnwell (University of Melbourne Australia) Joanne Begiato (Oxford Brookes University UK) Tanya Evans (Macquarie University Australia) and Laura King (University of Leeds UK) Part I: Visualising Connections Chapter 1: Finding Kalimpong: Curiosity Cognitive Dissonance and Collectivity in a 'Three-World' Family History Jane McCabe (Independent Historian Australia) Chapter 2: Developing Us: Photography Family and Feeling Louise Taylor (Independent Researcher UK) Chapter 3: Object History: Intergenerational Disruption of Memory Identity and Patrimony. The Use of Photographs in the Reconstruction of a Lost Family Michael Heim (University of Adelaide Australia) Chapter 4: Object History: Imagining Ancestors in Family History Katie Barclay (University of Adelaide Australia) Part II: Books That Bring Us Together Chapter 5: The Family Bible and the Early Modern Woman Reader Hannah Upton (Australian National University Australia) Chapter 6: Inheriting Accounts in Early Modern England Imogen Peck (Coventry University UK) Chapter 7: "I Won't Forget You Love When your Time is Up": Re(dis)covering Emotion and Forging Family at Adelaide's Destitute Asylum Corinne Ball (Migration Museum Australia) Chapter 8: Object History: Reading Nana's Bible: Faith Family and the Female Line Catherine Feely (University of Derby UK) Part III: Embodied and Sensory Inheritances Chapter 9: Emotion Recalled from the Kitchen Val Hewson (Reading Sheffield and Sheffield Hallam University UK) Chapter 10: Connecting with Ancestors - 'The Sweet Smell of Success' Kate Wvendth (Leeds University UK) Chapter 11: Untangling the Archive: #HairyObjects and the Stories We Weave Leanne Calvert (University of Hertfordshire UK) Chapter 12: Object History: Telling Stories through my Granny's Cookery books Lucinda Matthews-Jones (Liverpool John Moores University UK) Chapter 13: Object History: 'Nothing More Precious': the Emotional Inheritance of a Hair Locket Joanne Begiato (Oxford Brookes University UK) Part IV: Prized Possessions Chapter 14: 'As Private as a Letter': The Handbook of Chatsworth Intergenerational Family Writing and the British Country House as 'Family Home' Lucy Brownson (University College London UK) Chapter 15: 'Although it Smack Somewhat of the Days that are Gone': Memory Legacy and the Preservation of the Patchwork Quilt Deb McGuire (Oxford Brookes University UK) Chapter 16: Object History: War Writing and Peacetime Preservation: The Role of Families in Salvaging Letters from Twentieth-Century Conflict Emma Carson (University of Adelaide Australia) Chapter 17: Object History: A Mantelpiece of Memories Janet Coles (Independent Historian UK) Chapter 18: Object History: The Victorian Library Chair Sue Child (Leeds University UK) Chapter 19: Object History Asif Shakoor (Independent Scholar UK) Part V: National Identities Chapter 20: Family Community and Nation: Understanding Identity through the History and Heritage of a Deindustrialised Site in the Blue Mountains of Australia Tanya Evans (Macquarie University Australia) Chapter 21: National Myths and Family Forgetting: Interpreting Irish identities through the Unpublished Memoir of an Immigrant Woman in the United States Sarah O'Brien (Mary Immaculate College UK) Chapter 22: Understanding Place in Tasmanian Family Histories Imogen Wegman and Kate Bagnall (both University of Tasmania Australia) Chapter 23: Object History: 'Two Suitcases': A Personal Reflection on a Family Archive Alison Pedley (Independent Researcher UK) Chapter 24: Object History: Family Objects and the Shape of the Settler Imagination Ashley Barnwell (University of Melbourne Australia)
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