This book examines the manifestations of materiality across different gothic media to show the inhuman at the heart of literature, film and contemporary media, outlining a philosophy of horror that deals with the horror of the nonhuman, the machine and the nonorganic.
This book examines the manifestations of materiality across different gothic media to show the inhuman at the heart of literature, film and contemporary media, outlining a philosophy of horror that deals with the horror of the nonhuman, the machine and the nonorganic.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Aspasia Stephanou is an independent scholar who has written extensively on the gothic, cultural theory and media. Her publications include Reading Vampire Gothic Through Blood: Bloodlines (Palgrave 2014), Glossator: Practice and Theory of the Commentary: Black Metal (2012) (with Steven Shakespeare, Ben Woodard and Eugene Thacker), and Transgression and Its Limits (co-edited, 2012).
Inhaltsangabe
1. Introduction: A Study in Scarlet 2. Chapter 1: Typewriter Blood 3. Chapter 2: Inhuman Inscriptions in Contemporary Horror: Stephen King's The Shining and Kathe Koja's Fiction 4. Chapter 3: At the Heart of Darkness: Trauma and Women 5. Chapter 4: The Real of Cyberia: Dark Web, Red Rooms and Internet Gothic 6. Chapter 5: Inhuman Materiality in Edgar Allan Poe's Stories 7. Chapter 6: Gothic Inhumanism 8. Conclusion: De Man's Red Room 9. Bibliography
1. Introduction: A Study in Scarlet 2. Chapter 1: Typewriter Blood 3. Chapter 2: Inhuman Inscriptions in Contemporary Horror: Stephen King's The Shining and Kathe Koja's Fiction 4. Chapter 3: At the Heart of Darkness: Trauma and Women 5. Chapter 4: The Real of Cyberia: Dark Web, Red Rooms and Internet Gothic 6. Chapter 5: Inhuman Materiality in Edgar Allan Poe's Stories 7. Chapter 6: Gothic Inhumanism 8. Conclusion: De Man's Red Room 9. Bibliography
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