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In an endeavor to find a fresh way into the scriptural text upon which I would be preaching, I began to develop an imaginary world populated principally by wee folk. I found they-the characters I developed and the way that they evolved in my mind and on the page-served me well as a consideration of how I sensed things happening in the scriptural text at hand. I want to make these stories and the world they represent newly available, and so I bring them to book form, fifty at a time. The cover drawing was done by Eve Sullivan, the author's granddaughter. The drawing is the artist's conception of the Yellow Mud Huts in "Apopar."…mehr

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In an endeavor to find a fresh way into the scriptural text upon which I would be preaching, I began to develop an imaginary world populated principally by wee folk. I found they-the characters I developed and the way that they evolved in my mind and on the page-served me well as a consideration of how I sensed things happening in the scriptural text at hand. I want to make these stories and the world they represent newly available, and so I bring them to book form, fifty at a time. The cover drawing was done by Eve Sullivan, the author's granddaughter. The drawing is the artist's conception of the Yellow Mud Huts in "Apopar."