Inner Monologue in Film. How Paul Czinner adapts Arthur Schnitzler's Narrative Mode in "Fräulein Else" (1929)
-
- Taschenbuch ausgewählt
- eBook
-
Sprache:Englisch
15,95 €
inkl. gesetzl. MwSt.,
Beschreibung
Produktdetails
Einband
Taschenbuch
Erscheinungsdatum
27.10.2020
Verlag
GRINSeitenzahl
20
Maße (L/B/H)
21/14,8/0,2 cm
Gewicht
45 g
Auflage
1. Auflage
Sprache
Englisch
ISBN
978-3-346-25050-6
Seminar paper from the year 2020 in the subject Literature - Comparative Literature, grade: 15, Leuven Catholic University, language: English, abstract: This paper examines Paul Czinner¿s ¿Fräulein Else¿ from 1929, both as an adaption of Arthur Schnitzler¿s novella of the same name and as an individual project. The aim is to analyse how visual choices highlight the narrative and how elements of the original story are introduced into the new media. It will therefore examine whether and how specifically the change of media is responsible for the different interpretations. The focus will be on how the medium influences the depictions of the narrative instances through visuality. This is significant for the present work as narrative instances expresses themselves, according to Kuhn, primarily on a visual and a linguistic level. First, the difference between narrative instances in film and literature will be examined in a theoretical part. This will be based on Markus Kuhn's narrative model. Interesting approaches can be drawn from the work of Sandra Poppe¿s research on film adaptations and visuality as a connecting element between adapted work and adaption. The narrative instances of novella and film will then be examined for differences and similarities. The aim is to get an overview of whether and how the special type of narrative situation in Schnitzler's work was visually incorporated into the film. Films are an interface between writing and image in many regards. Starting from the screenplay, one can observe many functions of written text in movies. Therefore, transmediality is inherent to film. A special form of this correlation is adaption. Film adaptions of literary work struggled to be recognized as their own art form for the longest time. The status as secondary media has been abolished by now. Under this newer perspective, it is fruitful to study criticized movies through contemporary lenses.
Noch keine Bewertungen vorhanden
Verfassen Sie die erste Bewertung zu diesem Artikel
Helfen Sie anderen Kundinnen und Kunden durch Ihre Meinung.
Kurze Frage zu unserer Seite
Vielen Dank für dein Feedback
Wir nutzen dein Feedback, um unsere Produktseiten zu verbessern. Bitte habe Verständnis, dass wir dir keine Rückmeldung geben können. Falls du Kontakt mit uns aufnehmen möchtest, kannst du dich aber gerne an unseren Kund*innenservice wenden.
zum Kundenservice