This state-of-the-art volume covers recent developments in research on Audio Description. This book is key reading for researchers, advanced students and practitioners of audiovisual translation, media, film and performance studies.
This state-of-the-art volume covers recent developments in research on Audio Description. This book is key reading for researchers, advanced students and practitioners of audiovisual translation, media, film and performance studies.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Sabine Braun is Professor of Translation Studies and Director of the Centre for Translation Studies at the University of Surrey (UK). Kim Starr is a Research Fellow at the Centre for Translation Studies, University of Surrey.
Inhaltsangabe
List of Contributors Introduction: Mapping new horizons in audio description research Chapter 1: Immersion, presence and engagement in audio described material Chapter 2: New approaches to accessibility and audio description in museum environments Chapter 3: Easier audio description: exploring the potential of Easy-to-Read principles in simplifying AD Chapter 4: Film language, film experience and film interpretation in a reception study comparing conventional and interpretative audio description styles Chapter 5: Audio description 2.0: re-versioning audiovisual accessibility to assist emotion recognition Chapter 6: Towards a user specification for immersive audio description Chapter 7: Mainstreaming audio description through technology Chapter 8: Comparing human and automated approaches to visual storytelling Index
List of Contributors Introduction: Mapping new horizons in audio description research Chapter 1: Immersion, presence and engagement in audio described material Chapter 2: New approaches to accessibility and audio description in museum environments Chapter 3: Easier audio description: exploring the potential of Easy-to-Read principles in simplifying AD Chapter 4: Film language, film experience and film interpretation in a reception study comparing conventional and interpretative audio description styles Chapter 5: Audio description 2.0: re-versioning audiovisual accessibility to assist emotion recognition Chapter 6: Towards a user specification for immersive audio description Chapter 7: Mainstreaming audio description through technology Chapter 8: Comparing human and automated approaches to visual storytelling Index
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