Andrew Horton (ed.)
Inside Soviet Film Satire
Herausgeber: Horton, Andrew; Andrew, Dudley; Rothman, William
Andrew Horton (ed.)
Inside Soviet Film Satire
Herausgeber: Horton, Andrew; Andrew, Dudley; Rothman, William
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Inside Soviet Film Satire is a lively collection of sixteen original essays by Soviet, American and Canadian scholars and film commentators.
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Inside Soviet Film Satire is a lively collection of sixteen original essays by Soviet, American and Canadian scholars and film commentators.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 188
- Erscheinungstermin: 25. Juli 2005
- Englisch
- Abmessung: 229mm x 152mm x 10mm
- Gewicht: 282g
- ISBN-13: 9780521021074
- ISBN-10: 0521021073
- Artikelnr.: 22371730
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
- Verlag: Cambridge University Press
- Seitenzahl: 188
- Erscheinungstermin: 25. Juli 2005
- Englisch
- Abmessung: 229mm x 152mm x 10mm
- Gewicht: 282g
- ISBN-13: 9780521021074
- ISBN-10: 0521021073
- Artikelnr.: 22371730
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
Preface
Introduction
Part I. The Long View: Soviet Satire in Context: 1. Soviet film satire yesterday and today
2. A Russian Munchausen: Aesopian translation
3. 'We don't know what to laugh at': comedy and satire in Soviet cinema
4. An ambivalent NEP satire of bourgeois aspirations: A Kiss of Mary Pickford
5. Closely watched drains: notes by a dilettante on the Soviet absurdist film
Part II. Middle Distance Shots: 6. A subtextual reading of Kuleshov's satire, The Extraordinary Adventures of Mr West in the Land of the Bolsheviks
7. The strange case of the making of Volga Volga
8. Circus of 1936: ideology and entertainment under the big top
9. Laughter beyond the mirror: humour and satire in the cinema?
10. The films of Eldar Shengelaya: from subtle humour to biting satire
Part III. Close Ups On Glasnost and Satire: 11. A forgotten melody: Ryzanov and remembered popular traditions
12. Perestroika of Kitsch: Vladimir Soloviev's Black Rose, Red Rose
13. Carnivals bright, dark and grotesque in the Glasnost satires of Mamin, Mustafayev and Shaknazarov
14. Quick takes on Yuri Mamin's The Fountain from the perspective of a Rumanian childhood
15. 'One should begin with zero': a discussion with Yuri Mamin
Contributors
Filmography
Index.
Introduction
Part I. The Long View: Soviet Satire in Context: 1. Soviet film satire yesterday and today
2. A Russian Munchausen: Aesopian translation
3. 'We don't know what to laugh at': comedy and satire in Soviet cinema
4. An ambivalent NEP satire of bourgeois aspirations: A Kiss of Mary Pickford
5. Closely watched drains: notes by a dilettante on the Soviet absurdist film
Part II. Middle Distance Shots: 6. A subtextual reading of Kuleshov's satire, The Extraordinary Adventures of Mr West in the Land of the Bolsheviks
7. The strange case of the making of Volga Volga
8. Circus of 1936: ideology and entertainment under the big top
9. Laughter beyond the mirror: humour and satire in the cinema?
10. The films of Eldar Shengelaya: from subtle humour to biting satire
Part III. Close Ups On Glasnost and Satire: 11. A forgotten melody: Ryzanov and remembered popular traditions
12. Perestroika of Kitsch: Vladimir Soloviev's Black Rose, Red Rose
13. Carnivals bright, dark and grotesque in the Glasnost satires of Mamin, Mustafayev and Shaknazarov
14. Quick takes on Yuri Mamin's The Fountain from the perspective of a Rumanian childhood
15. 'One should begin with zero': a discussion with Yuri Mamin
Contributors
Filmography
Index.
Preface
Introduction
Part I. The Long View: Soviet Satire in Context: 1. Soviet film satire yesterday and today
2. A Russian Munchausen: Aesopian translation
3. 'We don't know what to laugh at': comedy and satire in Soviet cinema
4. An ambivalent NEP satire of bourgeois aspirations: A Kiss of Mary Pickford
5. Closely watched drains: notes by a dilettante on the Soviet absurdist film
Part II. Middle Distance Shots: 6. A subtextual reading of Kuleshov's satire, The Extraordinary Adventures of Mr West in the Land of the Bolsheviks
7. The strange case of the making of Volga Volga
8. Circus of 1936: ideology and entertainment under the big top
9. Laughter beyond the mirror: humour and satire in the cinema?
10. The films of Eldar Shengelaya: from subtle humour to biting satire
Part III. Close Ups On Glasnost and Satire: 11. A forgotten melody: Ryzanov and remembered popular traditions
12. Perestroika of Kitsch: Vladimir Soloviev's Black Rose, Red Rose
13. Carnivals bright, dark and grotesque in the Glasnost satires of Mamin, Mustafayev and Shaknazarov
14. Quick takes on Yuri Mamin's The Fountain from the perspective of a Rumanian childhood
15. 'One should begin with zero': a discussion with Yuri Mamin
Contributors
Filmography
Index.
Introduction
Part I. The Long View: Soviet Satire in Context: 1. Soviet film satire yesterday and today
2. A Russian Munchausen: Aesopian translation
3. 'We don't know what to laugh at': comedy and satire in Soviet cinema
4. An ambivalent NEP satire of bourgeois aspirations: A Kiss of Mary Pickford
5. Closely watched drains: notes by a dilettante on the Soviet absurdist film
Part II. Middle Distance Shots: 6. A subtextual reading of Kuleshov's satire, The Extraordinary Adventures of Mr West in the Land of the Bolsheviks
7. The strange case of the making of Volga Volga
8. Circus of 1936: ideology and entertainment under the big top
9. Laughter beyond the mirror: humour and satire in the cinema?
10. The films of Eldar Shengelaya: from subtle humour to biting satire
Part III. Close Ups On Glasnost and Satire: 11. A forgotten melody: Ryzanov and remembered popular traditions
12. Perestroika of Kitsch: Vladimir Soloviev's Black Rose, Red Rose
13. Carnivals bright, dark and grotesque in the Glasnost satires of Mamin, Mustafayev and Shaknazarov
14. Quick takes on Yuri Mamin's The Fountain from the perspective of a Rumanian childhood
15. 'One should begin with zero': a discussion with Yuri Mamin
Contributors
Filmography
Index.