Inside Tenement Time is a study of Jamaican literary and cultural texts presenting surveillance in the Caribbean. The project introduces two Afro-Indigenous variations on surveillance--sussveillance and spiritveillance--as exemplars of vernacular arts and shows that Caribbean hegemonies are flexible. The book reads the Smile Jamaica concert (1976) and the Tivoli Incursion (2010) as states of high surveillance emergency.
Inside Tenement Time is a study of Jamaican literary and cultural texts presenting surveillance in the Caribbean. The project introduces two Afro-Indigenous variations on surveillance--sussveillance and spiritveillance--as exemplars of vernacular arts and shows that Caribbean hegemonies are flexible. The book reads the Smile Jamaica concert (1976) and the Tivoli Incursion (2010) as states of high surveillance emergency.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
KEZIA PAGE is an associate professor of English and Africana and Latin American studies at Colgate University in Hamilton, NY. She is the author of Transnational Negotiations in Caribbean Diasporic Literature: Remitting the Text.
Inhaltsangabe
Introduction: Flexible Hegemonies: The Tivoli Incursion and the History of Surveillance in Jamaica 1 In the Shadow of the Wall: Suss and Sussveillance in the Yard Fiction of H. G. de Lisser 2 “The Dungle Is an Obeah Man”: Spiritveillance in The Children of Sisyphus 3 Smile Jamaica, for the Camera: Performance and Surveillance in 1970s Jamaica 4 Bongo Futures after Tivoli: The Reggae Revival and Its Genealogies Coda Acknowledgments Notes References Index
Introduction: Flexible Hegemonies: The Tivoli Incursion and the History of Surveillance in Jamaica 1 In the Shadow of the Wall: Suss and Sussveillance in the Yard Fiction of H. G. de Lisser 2 “The Dungle Is an Obeah Man”: Spiritveillance in The Children of Sisyphus 3 Smile Jamaica, for the Camera: Performance and Surveillance in 1970s Jamaica 4 Bongo Futures after Tivoli: The Reggae Revival and Its Genealogies Coda Acknowledgments Notes References Index
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