Stephen King is no stranger to the realm of literary criticism, but his most fantastic, far-reaching work has aroused little academic scrutiny. This study of King's epic Dark Tower series encompasses the career of one of the world's best-selling authors and frames him as more than a "horror writer." Four categories of analysis--genre, art, evil, and intertextuality--provide a focused look at the center of King's fictional universe. This book reaches beyond popular culture treatments of the series and examines it against King's horror work, audience expectations, and the larger literary landscape.…mehr
Stephen King is no stranger to the realm of literary criticism, but his most fantastic, far-reaching work has aroused little academic scrutiny. This study of King's epic Dark Tower series encompasses the career of one of the world's best-selling authors and frames him as more than a "horror writer." Four categories of analysis--genre, art, evil, and intertextuality--provide a focused look at the center of King's fictional universe. This book reaches beyond popular culture treatments of the series and examines it against King's horror work, audience expectations, and the larger literary landscape.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Patrick McAleer co-chairs the Stephen King Area of the Popular Culture Association. He has published many articles on King and teaches English at Inver Hills Community College in the Twin Cities, Minnesota.
Inhaltsangabe
Table of Contents Acknowledgments Preface Introduction-The Dark Tower: A Literary Anomaly, an Experiment in Horror, or a True Mark of Literature? CHAPTER The Ending Is Only the Beginning: Genre and Its Influence on Climax CHAPTER Illustrating Imagination: The Infringement (and Evolution) of Visual Elements in the Dark Tower Series and The Gunslinger Born CHAPTER The Face of Evil: Behind the Hood and Under the Cowboy Hat CHAPTER Repetition, Integration, Immersion, and Intertextuality: A Tale of At Least Two Stories Conclusion-"Time is a face on the water": or Will The Dark Tower Endure?
Table of Contents Acknowledgments Preface Introduction-The Dark Tower: A Literary Anomaly, an Experiment in Horror, or a True Mark of Literature? CHAPTER The Ending Is Only the Beginning: Genre and Its Influence on Climax CHAPTER Illustrating Imagination: The Infringement (and Evolution) of Visual Elements in the Dark Tower Series and The Gunslinger Born CHAPTER The Face of Evil: Behind the Hood and Under the Cowboy Hat CHAPTER Repetition, Integration, Immersion, and Intertextuality: A Tale of At Least Two Stories Conclusion-"Time is a face on the water": or Will The Dark Tower Endure?
Works Cited Index
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