A collection of essays that use new methodological approaches and original archival material to study Soviet film. The book includes the first account in English of the careers of Protazanov and Barnet.
A collection of essays that use new methodological approaches and original archival material to study Soviet film. The book includes the first account in English of the careers of Protazanov and Barnet.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Richard Taylor, Ian Christie, Professor Richard Taylor
Inhaltsangabe
Illustrations Notes on contributors Notes on contributions General editors' preface Acknowledgements Note on transliteration and translation Introduction: Entering the film factory 1 Early Russian cinema: some observations 2 Kuleshov's experiments and the new anthropology of the actor 3 Intolerance and the Soviets: a historical investigation 4 The origins of Soviet cinema: a study in industry development 5 Down to earth: Aelita relocated 6 The return of the native: Yakov Protazanov and Soviet cinema 7 A face to the shtetl: Soviet Yiddish cinema 1924-36 8 A fickle man or portrait of Boris Barnet as a Soviet director 9 Interview with Alexander Medvedkin 10 Making sense of early Soviet sound 11 Ideology as mass entertainment: Boris Shumyatsky and Soviet cinema in the 1930s Notes Index
Illustrations Notes on contributors Notes on contributions General editors' preface Acknowledgements Note on transliteration and translation Introduction: Entering the film factory 1 Early Russian cinema: some observations 2 Kuleshov's experiments and the new anthropology of the actor 3 Intolerance and the Soviets: a historical investigation 4 The origins of Soviet cinema: a study in industry development 5 Down to earth: Aelita relocated 6 The return of the native: Yakov Protazanov and Soviet cinema 7 A face to the shtetl: Soviet Yiddish cinema 1924-36 8 A fickle man or portrait of Boris Barnet as a Soviet director 9 Interview with Alexander Medvedkin 10 Making sense of early Soviet sound 11 Ideology as mass entertainment: Boris Shumyatsky and Soviet cinema in the 1930s Notes Index
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