Empowering independent filmmakers to turn the tables on Hollywood-and get their movies made and seen. This concise volume tells you exactly what you need to do to get your movie made and find the perfect audience. Inside Track for Independent Filmmakers is your roadmap to getting your movie made, seen, and distributed. With 11 Inside Tracks and 99 step-by-step tips, you'll discover insider secrets, easy instructions, and time-saving shortcuts for everything you need to know. You'll find tips about approach financiers and speak the language they understand and how to get the perfect casting…mehr
Empowering independent filmmakers to turn the tables on Hollywood-and get their movies made and seen. This concise volume tells you exactly what you need to do to get your movie made and find the perfect audience. Inside Track for Independent Filmmakers is your roadmap to getting your movie made, seen, and distributed. With 11 Inside Tracks and 99 step-by-step tips, you'll discover insider secrets, easy instructions, and time-saving shortcuts for everything you need to know. You'll find tips about approach financiers and speak the language they understand and how to get the perfect casting for your movie. Once you've realised your creative vision this book gives you all the advice you'll need to get your movie seen from working the festival circuit like a pro to making your film incredibly attractive to distributors. It is written in straightforward, everyday language by media expert Adam Leipzig, the past president of National Geographic Films and a former senior executive at Disney, who has supervised more than 25 films. Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
THE LANDSCAPE Don’t Doubt Your Purpose A Short and Recent History of Indie Movies in America Who Will Be the New Miramax? The Eighth Studio What Money Means GET YOUR MOVIE MADE I. Inside Track: Concept The core of your movie 1. What’s the Big Idea? 2. High Concept 3. The World 4. The Title 5. It’s About a Guy Who . . . 6. Can You Say it All in a Sentence? 7. Log Lines That Worked 8. What Does It Look Like? 9. What’s the Tagline? 10. The Truth Test 11. Make Your Truth Niche-Specific 12. Concepts That Didn’t Work 13. Concepts That WorkedII. Inside Track: Comps Can your movie make money? 14. What’s a Comp? 15. Budget Comps 16. Rating Comps 17. Language Comps 18. Genre Comps 19. Star Power Comps 20. How to Find Comps 21. How Many Comps Do You Need? 22. How Recent Do Comps Need to Be? 23. Now That You Have Your Comps 24. How Financiers Use Comps 25. How Financiers Recover Their Investments 26. How Distributors Use Comps 27. Examples of Comps in ActionIII. Inside Track: Script What’s on screen can only be as good as what’s on the page 28. Why Script Matters 29. How Should Your Script Look? 30. How to Make Your Script Read Well 31. Make It a Page-Turner 32. Keep It Short 33. Top 10 Screenwriter Mistakes 34. Write to Sell to Investors 35. Write for CastingIV. Inside Track: Casting Getting the right actors 36. Why Casting Matters 37. How Do You Get Stars? 38. The Actor Dance 39. The Pile-On Effect 40. The Director Dance 41. Casting Non-Stars 42. Tactical Approaches 43. Cast the Rest of Your Relationships V. Inside Track: Cost You need to know the numbers 44. Budget Is for Amateurs, Cost Is for Professionals 45. Make the Cost Rational 46. Include Marketing and Distribution Costs 47. Planning and Scouting 48. Incentives, Rebates, and Credits 49. Contingency 50. Costs You Might Not Know About 51. Pre-Selling Expenses 52. Selling Expenses 53. Assume You Will Need to Cover Everything 54. Not All Money Is Equal 55. Crowdfunding Is Double Money 56. Crowdfunding: Be Prepared! 57. Launching and Managing Your Crowdfunding Campaign 58. Crowdfunding Doesn’t End When the Campaign Does 59. What Will You Have to Give Up to Get What You Want? 60. The Myth of Final CutVI. Inside Track: Now You Make Your Movie The moment you’ve been waiting for 61. This Is the Inside Track Where You Make and Finish Your MovieGET YOUR MOVIE SEENVII. Inside Track: Getting into Festivals When Your Movie’s Ready Sundance and beyond 62. Do Festivals Matter? 63. Some Festivals Are More Than Festivals 64. How You Get into a FestivalVIII. Inside Track: Selling at Festivals Can you make a deal here? 65. Leap into Action 66. Get Your Materials Ready 67. Get Your Rep 68. Get Some Early Press 69. But Don’t Let People See It Yet 70. Reach Out to Your Preferred Distributors 71. Get Them to the Screening 72. Get the Press There 73. Follow ThroughIX. Inside Track: Selling Everywhere Else for Theatrical Distribution More places to make deals 74. Most Sales Happen This Way 75. Get a Representative If You Can 76. If You Can’t Get a Representative . . . 77. You Have to See It with an Audience First 78. If You Can’t Get a Distributor to an Audience Screening 79. Should You Show a Distributor an Unfinished Film? 80. What to Show Potential Distributors 81. Know How Much You NeedX. Inside Track: Selling for Non-Theatrical Distribution The screens that make the most money 82. What’s Non-Theatrical? 83. Why Are You Doing This? 84. Aggregators 85. Materials 86. Direct Submissions 87. Know Your Windows 88. Deliver to Their SpecsXI. Inside Track: Free Range Distribution The new frontier 89. What Are Free Range Distribution Platforms, and How Do They Work? 90. You Can Keep Your Rights 91. What Rights Are There? 92. Know Your Rights 93. Integrate Everything 94. Marketing Is Your Job 95. Four-Walling 96. What to Look for in a Free Range Distribution Platform 97. What You’ll Need 98. What’s Been Working 99. What’s Next for Free Range Distribution? ESSENTIAL RESOURCESDistribution Platforms Where You Sell or License Your Rights Free Range Distribution Platforms Directory of Sales Agents Best Information Sources Your Attitude Is Your Greatest Resource The Academy Award Speech I Hope You Make One Day INDEX
THE LANDSCAPE Don’t Doubt Your Purpose A Short and Recent History of Indie Movies in America Who Will Be the New Miramax? The Eighth Studio What Money Means GET YOUR MOVIE MADE I. Inside Track: Concept The core of your movie 1. What’s the Big Idea? 2. High Concept 3. The World 4. The Title 5. It’s About a Guy Who . . . 6. Can You Say it All in a Sentence? 7. Log Lines That Worked 8. What Does It Look Like? 9. What’s the Tagline? 10. The Truth Test 11. Make Your Truth Niche-Specific 12. Concepts That Didn’t Work 13. Concepts That WorkedII. Inside Track: Comps Can your movie make money? 14. What’s a Comp? 15. Budget Comps 16. Rating Comps 17. Language Comps 18. Genre Comps 19. Star Power Comps 20. How to Find Comps 21. How Many Comps Do You Need? 22. How Recent Do Comps Need to Be? 23. Now That You Have Your Comps 24. How Financiers Use Comps 25. How Financiers Recover Their Investments 26. How Distributors Use Comps 27. Examples of Comps in ActionIII. Inside Track: Script What’s on screen can only be as good as what’s on the page 28. Why Script Matters 29. How Should Your Script Look? 30. How to Make Your Script Read Well 31. Make It a Page-Turner 32. Keep It Short 33. Top 10 Screenwriter Mistakes 34. Write to Sell to Investors 35. Write for CastingIV. Inside Track: Casting Getting the right actors 36. Why Casting Matters 37. How Do You Get Stars? 38. The Actor Dance 39. The Pile-On Effect 40. The Director Dance 41. Casting Non-Stars 42. Tactical Approaches 43. Cast the Rest of Your Relationships V. Inside Track: Cost You need to know the numbers 44. Budget Is for Amateurs, Cost Is for Professionals 45. Make the Cost Rational 46. Include Marketing and Distribution Costs 47. Planning and Scouting 48. Incentives, Rebates, and Credits 49. Contingency 50. Costs You Might Not Know About 51. Pre-Selling Expenses 52. Selling Expenses 53. Assume You Will Need to Cover Everything 54. Not All Money Is Equal 55. Crowdfunding Is Double Money 56. Crowdfunding: Be Prepared! 57. Launching and Managing Your Crowdfunding Campaign 58. Crowdfunding Doesn’t End When the Campaign Does 59. What Will You Have to Give Up to Get What You Want? 60. The Myth of Final CutVI. Inside Track: Now You Make Your Movie The moment you’ve been waiting for 61. This Is the Inside Track Where You Make and Finish Your MovieGET YOUR MOVIE SEENVII. Inside Track: Getting into Festivals When Your Movie’s Ready Sundance and beyond 62. Do Festivals Matter? 63. Some Festivals Are More Than Festivals 64. How You Get into a FestivalVIII. Inside Track: Selling at Festivals Can you make a deal here? 65. Leap into Action 66. Get Your Materials Ready 67. Get Your Rep 68. Get Some Early Press 69. But Don’t Let People See It Yet 70. Reach Out to Your Preferred Distributors 71. Get Them to the Screening 72. Get the Press There 73. Follow ThroughIX. Inside Track: Selling Everywhere Else for Theatrical Distribution More places to make deals 74. Most Sales Happen This Way 75. Get a Representative If You Can 76. If You Can’t Get a Representative . . . 77. You Have to See It with an Audience First 78. If You Can’t Get a Distributor to an Audience Screening 79. Should You Show a Distributor an Unfinished Film? 80. What to Show Potential Distributors 81. Know How Much You NeedX. Inside Track: Selling for Non-Theatrical Distribution The screens that make the most money 82. What’s Non-Theatrical? 83. Why Are You Doing This? 84. Aggregators 85. Materials 86. Direct Submissions 87. Know Your Windows 88. Deliver to Their SpecsXI. Inside Track: Free Range Distribution The new frontier 89. What Are Free Range Distribution Platforms, and How Do They Work? 90. You Can Keep Your Rights 91. What Rights Are There? 92. Know Your Rights 93. Integrate Everything 94. Marketing Is Your Job 95. Four-Walling 96. What to Look for in a Free Range Distribution Platform 97. What You’ll Need 98. What’s Been Working 99. What’s Next for Free Range Distribution? ESSENTIAL RESOURCESDistribution Platforms Where You Sell or License Your Rights Free Range Distribution Platforms Directory of Sales Agents Best Information Sources Your Attitude Is Your Greatest Resource The Academy Award Speech I Hope You Make One Day INDEX
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