Louisiana's Angola prison is one of the largest and most brutal maximum-security prisons in the United States. However, it is also known for its significant musical contributions. Instrument of the State combines oral histories and archival research to piece together an account of how prisoners at Angola have used music for over 120 years. This book expands folkloric definitions of "prison music" and considers the broader musicality of the prison as a way of understanding state power and the fragments of hope and joy that remain in its wake.
Louisiana's Angola prison is one of the largest and most brutal maximum-security prisons in the United States. However, it is also known for its significant musical contributions. Instrument of the State combines oral histories and archival research to piece together an account of how prisoners at Angola have used music for over 120 years. This book expands folkloric definitions of "prison music" and considers the broader musicality of the prison as a way of understanding state power and the fragments of hope and joy that remain in its wake.
Benjamin J. Harbert is Associate Professor of Music and Chair of the Performing Arts Department at Georgetown University. He is the author of American Music Documentary: Five Case Studies of Ciné-Ethnomusicology, director of the documentary Follow Me Down: Portraits of Louisiana Prison Musicians, and a co-editor of The Arab Avant Garde: Music, Politics, Modernity.
Inhaltsangabe
Forewords by Calvin Lewis, Myron Hodges, and Wayne Kramer List of Figures Note to the reader Introduction The Book as a Multi-Movement Musical Piece Uncovering Histories The Musicality of Prison A Brief Overview of Louisiana Behind Bars 1. Astonishment 2. Association 3. Politics 4. Surfaces 5. Inflection 6. Recapitulation Notes Bibliography Index
Forewords by Calvin Lewis, Myron Hodges, and Wayne Kramer List of Figures Note to the reader Introduction The Book as a Multi-Movement Musical Piece Uncovering Histories The Musicality of Prison A Brief Overview of Louisiana Behind Bars 1. Astonishment 2. Association 3. Politics 4. Surfaces 5. Inflection 6. Recapitulation Notes Bibliography Index
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