Integrative Arts Psychotherapy
Using an Integrative Theoretical Frame and the Arts in Psychotherapy
Herausgeber: Vaculik, Claire Louise; Nash, Gary
Integrative Arts Psychotherapy
Using an Integrative Theoretical Frame and the Arts in Psychotherapy
Herausgeber: Vaculik, Claire Louise; Nash, Gary
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This book is a new addition to the art therapy literature setting out an integrative approach to using theory and the arts, which places clients at the centre of practice and supports collaboration across the therapeutic journey.
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This book is a new addition to the art therapy literature setting out an integrative approach to using theory and the arts, which places clients at the centre of practice and supports collaboration across the therapeutic journey.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 226
- Erscheinungstermin: 12. August 2022
- Englisch
- Abmessung: 234mm x 156mm x 16mm
- Gewicht: 531g
- ISBN-13: 9780367726379
- ISBN-10: 0367726378
- Artikelnr.: 64036064
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Taylor & Francis
- Seitenzahl: 226
- Erscheinungstermin: 12. August 2022
- Englisch
- Abmessung: 234mm x 156mm x 16mm
- Gewicht: 531g
- ISBN-13: 9780367726379
- ISBN-10: 0367726378
- Artikelnr.: 64036064
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Claire Louise Vaculik (née Leyland) is an HCPC-registered art therapist and UKCP-registered Gestalt psychotherapist. She is Programme Director of the MA in Integrative Arts Psychotherapy at the Institute for Arts in Therapy and Education and Chair of the British Association of Art Therapists. Gary Nash, Dip AT, MAAT, is a HCPC-registered art therapist. Gary co-founded the London Art Therapy Centre in 2009, where he is a practitioner-researcher. He is a visiting lecturer at the Institute for Arts in Therapy and Education and the University of Hertfordshire. He is co-editor of Environmental Arts Therapy (2020).
Foreword by Shaun McNiff; Introduction; Part I Integrating the arts in
psychotherapy: development of an integrative approach in the UK; 1. History
and development of integrative arts psychotherapy in Britain, Claire Louise
Vaculik, Dr Margot Sunderland & Graeme Blench; 2. Transformation across the
art forms: Metamorphosis and motif, Marrianne Behm; Part II Ideas that help
us to understand the use of the arts in psychotherapy and to work
integratively; 3. Integrating theory and practice: A literature review of
the arts in psychotherapy, Gary Nash; 4. The Six Therapeutic Relationships
and the Arts: An integrative approach to using theory, research, and the
creative arts in practice, Claire Louise Vaculik & Dr Vanja Orlans; Part
III Creative integration in practice - working with individuals; 5. Hide
and Seek: using the arts and the body to assist discovery and
self-awareness, Tsafi Lederman; 6. Embodying metaphor: Visual arts,
movement, and the body, Gary Nash; 7. Embodied sound: Voicing the voiceless
Self, Hannah Rees; 8. Working in partnership with services users
experiencing anxiety, depression and suicidal ideation in individual
therapy: Using the therapeutic relationship framework as a model for
integration, Jude Smit; 9. Online Integrative Arts Psychotherapy, Emma
Cameron; Part IV Creative integration in practice - working with groups;
10. Self-reflective groups in action: Working with difference, politics,
and the creative arts as a bridge for connection and taking up space,
Anthea Benjamin; 11. Untold stories: The art of imagination in later life
Storytelling and multi-modal arts psychotherapy on an older adult inpatient
mental health ward, Rebecca Smart and Jack Eastwood; 12. Developing an
Integrative Arts Psychotherapy group treatment model to support people with
a dual diagnosis in residential rehab: RAFT (Recovery and Aftercare from
Formative Trauma), Sarah Hall; Part V Reflections on an integrative
approach and innovations in practice; 13. Collaboration, co-design, and
co-production: Perspectives on art as therapy and service user involvement
in assessment, treatment planning, evaluation, and research, Daniel Regan,
with Jude Smit and Claire Louise Vaculik; 14. Integrative research: Using
art to research art, Gary Nash; 15. Creative and collaborative approaches
to researching Integrative Arts Psychotherapy, Dr Marie Adams
psychotherapy: development of an integrative approach in the UK; 1. History
and development of integrative arts psychotherapy in Britain, Claire Louise
Vaculik, Dr Margot Sunderland & Graeme Blench; 2. Transformation across the
art forms: Metamorphosis and motif, Marrianne Behm; Part II Ideas that help
us to understand the use of the arts in psychotherapy and to work
integratively; 3. Integrating theory and practice: A literature review of
the arts in psychotherapy, Gary Nash; 4. The Six Therapeutic Relationships
and the Arts: An integrative approach to using theory, research, and the
creative arts in practice, Claire Louise Vaculik & Dr Vanja Orlans; Part
III Creative integration in practice - working with individuals; 5. Hide
and Seek: using the arts and the body to assist discovery and
self-awareness, Tsafi Lederman; 6. Embodying metaphor: Visual arts,
movement, and the body, Gary Nash; 7. Embodied sound: Voicing the voiceless
Self, Hannah Rees; 8. Working in partnership with services users
experiencing anxiety, depression and suicidal ideation in individual
therapy: Using the therapeutic relationship framework as a model for
integration, Jude Smit; 9. Online Integrative Arts Psychotherapy, Emma
Cameron; Part IV Creative integration in practice - working with groups;
10. Self-reflective groups in action: Working with difference, politics,
and the creative arts as a bridge for connection and taking up space,
Anthea Benjamin; 11. Untold stories: The art of imagination in later life
Storytelling and multi-modal arts psychotherapy on an older adult inpatient
mental health ward, Rebecca Smart and Jack Eastwood; 12. Developing an
Integrative Arts Psychotherapy group treatment model to support people with
a dual diagnosis in residential rehab: RAFT (Recovery and Aftercare from
Formative Trauma), Sarah Hall; Part V Reflections on an integrative
approach and innovations in practice; 13. Collaboration, co-design, and
co-production: Perspectives on art as therapy and service user involvement
in assessment, treatment planning, evaluation, and research, Daniel Regan,
with Jude Smit and Claire Louise Vaculik; 14. Integrative research: Using
art to research art, Gary Nash; 15. Creative and collaborative approaches
to researching Integrative Arts Psychotherapy, Dr Marie Adams
Foreword by Shaun McNiff; Introduction; Part I Integrating the arts in
psychotherapy: development of an integrative approach in the UK; 1. History
and development of integrative arts psychotherapy in Britain, Claire Louise
Vaculik, Dr Margot Sunderland & Graeme Blench; 2. Transformation across the
art forms: Metamorphosis and motif, Marrianne Behm; Part II Ideas that help
us to understand the use of the arts in psychotherapy and to work
integratively; 3. Integrating theory and practice: A literature review of
the arts in psychotherapy, Gary Nash; 4. The Six Therapeutic Relationships
and the Arts: An integrative approach to using theory, research, and the
creative arts in practice, Claire Louise Vaculik & Dr Vanja Orlans; Part
III Creative integration in practice - working with individuals; 5. Hide
and Seek: using the arts and the body to assist discovery and
self-awareness, Tsafi Lederman; 6. Embodying metaphor: Visual arts,
movement, and the body, Gary Nash; 7. Embodied sound: Voicing the voiceless
Self, Hannah Rees; 8. Working in partnership with services users
experiencing anxiety, depression and suicidal ideation in individual
therapy: Using the therapeutic relationship framework as a model for
integration, Jude Smit; 9. Online Integrative Arts Psychotherapy, Emma
Cameron; Part IV Creative integration in practice - working with groups;
10. Self-reflective groups in action: Working with difference, politics,
and the creative arts as a bridge for connection and taking up space,
Anthea Benjamin; 11. Untold stories: The art of imagination in later life
Storytelling and multi-modal arts psychotherapy on an older adult inpatient
mental health ward, Rebecca Smart and Jack Eastwood; 12. Developing an
Integrative Arts Psychotherapy group treatment model to support people with
a dual diagnosis in residential rehab: RAFT (Recovery and Aftercare from
Formative Trauma), Sarah Hall; Part V Reflections on an integrative
approach and innovations in practice; 13. Collaboration, co-design, and
co-production: Perspectives on art as therapy and service user involvement
in assessment, treatment planning, evaluation, and research, Daniel Regan,
with Jude Smit and Claire Louise Vaculik; 14. Integrative research: Using
art to research art, Gary Nash; 15. Creative and collaborative approaches
to researching Integrative Arts Psychotherapy, Dr Marie Adams
psychotherapy: development of an integrative approach in the UK; 1. History
and development of integrative arts psychotherapy in Britain, Claire Louise
Vaculik, Dr Margot Sunderland & Graeme Blench; 2. Transformation across the
art forms: Metamorphosis and motif, Marrianne Behm; Part II Ideas that help
us to understand the use of the arts in psychotherapy and to work
integratively; 3. Integrating theory and practice: A literature review of
the arts in psychotherapy, Gary Nash; 4. The Six Therapeutic Relationships
and the Arts: An integrative approach to using theory, research, and the
creative arts in practice, Claire Louise Vaculik & Dr Vanja Orlans; Part
III Creative integration in practice - working with individuals; 5. Hide
and Seek: using the arts and the body to assist discovery and
self-awareness, Tsafi Lederman; 6. Embodying metaphor: Visual arts,
movement, and the body, Gary Nash; 7. Embodied sound: Voicing the voiceless
Self, Hannah Rees; 8. Working in partnership with services users
experiencing anxiety, depression and suicidal ideation in individual
therapy: Using the therapeutic relationship framework as a model for
integration, Jude Smit; 9. Online Integrative Arts Psychotherapy, Emma
Cameron; Part IV Creative integration in practice - working with groups;
10. Self-reflective groups in action: Working with difference, politics,
and the creative arts as a bridge for connection and taking up space,
Anthea Benjamin; 11. Untold stories: The art of imagination in later life
Storytelling and multi-modal arts psychotherapy on an older adult inpatient
mental health ward, Rebecca Smart and Jack Eastwood; 12. Developing an
Integrative Arts Psychotherapy group treatment model to support people with
a dual diagnosis in residential rehab: RAFT (Recovery and Aftercare from
Formative Trauma), Sarah Hall; Part V Reflections on an integrative
approach and innovations in practice; 13. Collaboration, co-design, and
co-production: Perspectives on art as therapy and service user involvement
in assessment, treatment planning, evaluation, and research, Daniel Regan,
with Jude Smit and Claire Louise Vaculik; 14. Integrative research: Using
art to research art, Gary Nash; 15. Creative and collaborative approaches
to researching Integrative Arts Psychotherapy, Dr Marie Adams