Oscar Wilde

Intentions

• Broschiertes Buch

Produktbeschreibung

Intentions Initially published in 1891 when Wilde was at the peak of his writing career, these splendid articles on art, writing, literature, criticism, and society show the confident poseur's well-known mind and wide learning. The main representative of the English Esthetic development, Wilde promoted "art for art's sake" against critics who contended that art should dive into the morals of every human being. On each page of this assortment, the skilled artistic beautician splendidly exhibits not only the attributes of art are "distinction, charm, beauty, and imaginative power," in addition to that, criticism itself can be raised to a fine art having these very characteristics. In the initial article, Wilde regrets the " decay of Lying as an art, a science, and a social pleasure." He berates present-day artistic pragmatists like Henry James and Emile Zola for their " monstrous worship of facts" and smothering of the creative mind. What makes craftsmanship awesome, he says, is that it is "absolutely indifferent to fact, [art] invents, imagines, dreams, and keeps between herself and reality the impenetrable barrier of beautiful style, of decorative or ideal treatment."The following article, "Pen, Pencil, and Poison," is an entrancing artistic enthusiasm for the existence of Thomas Griffiths Wainewright, a gifted painter, art critic, classicist, fellow of Charles Lamb, and - a murderer. The core of the collection is the long two-section article named "The Critic as Artist." In an endless series of important entries, Wilde takes incredible measures to show that the pundit is just as much a craftsman as the craftsman himself, sometimes more so. A skilled critic resembles a virtuoso mediator: "When Rubinstein plays ... he gives us not merely Beethoven, but also himself, and so gives us Beethoven absolutely...made vivid and wonderful to us by a new and intense personality. When a great actor plays Shakespeare we have the same experience" At long last, in "The Truth of Masks," Wilde gets back to the topic of art as artifice and creative deception. This article centers around the utilization of veils, camouflages, and outfits in Shakespeare. For novices to Wilde and the people who know his popular plays and fiction, this brilliant assortment of his analysis offers many pleasures.

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Produktdetails

• Verlag: DOUBLE 9 BOOKSLLP
• Seitenzahl: 144
• Erscheinungstermin: 22. April 2022
• Englisch
• Abmessung: 229mm x 152mm x 8mm
• Gewicht: 220g
• ISBN-13: 9789394973312
• ISBN-10: 9394973311
• Artikelnr.: 67363986

Autorenporträt

Oscar Wilde was born on October 16, 1854, in Dublin, Ireland, to Sir William Wilde, a renowned surgeon, and Jane Wilde, a poet and writer who wrote under the pseudonym ""Speranza."" Wilde grew up in a cultured and intellectual environment, surrounded by literature, art, and lively discussions. In the 1880s, Oscar Wilde emerged as one of London's most prominent playwrights and writers. Known for his wit, charm, and flamboyant style, he became a central figure in London's literary and social scene. Wilde's early works include poetry collections like ""Poems"" (1881) and his only novel, ""The Picture of Dorian Gray"" (1890), which initially sparked controversy due to its exploration of decadence and aestheticism. After his release from prison, Wilde lived in France under the name Sebastian Melmoth. He wrote ""The Ballad of Reading Gaol"" (1898), a poignant poem reflecting on his experiences in prison and the inhumanity of the penal system. Oscar Wilde died on November 30, 1900, at the age of 46, from meningitis, which was likely exacerbated by his time in prison. Despite his relatively short life, Wilde left a lasting legacy as one of the greatest playwrights and wits in the English language. His works continue to be studied, performed, and celebrated worldwide for their wit, social commentary, and exploration of aestheticism and human nature.