Interactive Documentary

Decolonizing Practice-Based Research
Herausgeber: Ryan, Kathleen M; Staton, David

• Gebundenes Buch

Produktbeschreibung

Interactive documentary is still an emerging field that eludes concise definitions or boundaries. Grounded in practice based research, this collection seeks to expand the sometimes exclusionary field, giving voice to scholars and practitioners working outside the margins.

Produktdetails

• Verlag: Taylor & Francis Ltd (Sales)
• Seitenzahl: 238
• Erscheinungstermin: 18. März 2022
• Englisch
• Abmessung: 229mm x 152mm x 16mm
• Gewicht: 517g
• ISBN-13: 9781032005119
• ISBN-10: 1032005114
• Artikelnr.: 62846640

Autorenporträt

Kathleen M. Ryan is a documentary filmmaker and an associate professor of journalism at the University of Colorado Boulder. Her hybrid work focuses on transformations in storytelling due to shifting media technologies. Specifically, she explores the intersection of theory and praxis within evolving media forms such as interactive documentary. Her projects deal with issues of gender, self-identity, visuality, and user/participant agency. David Staton is an associate professor at the University of Northern Colorado where he teaches in the Department of Journalism and Media Studies. His areas of research include visual communication, ethics, and sports journalism. He has been involved in the production of three feature-length documentary films, which have been screened internationally. Ghost Resort, his first experimental documentary short, is now at festival.

Inhaltsangabe

Part 1: Potentials 1. Agency Through Co-Creation: Interactive Documentary
as Decolonizing Practice 2. Interactive Documentary: Its History and Future
as a Polyphonic Form 3. Choose Your Own Generation: Interactive LGBTQ+
Narratives From South Asian Families 4. Documentary Impact: A Framework for
Analyzing Engagement Strategies Used in i-docs Part 2: Collaborations 5.
Democratizing Documentary and Interactive Social Media Practices 6. An
Outsider Approach to Cinematography: Native Representation, Breaking the
Norms and Finding New Ways to Explore Indigenous Spaces 7. Reframing
Creative Practice for Telling Factual Stories Of War And Trauma Through
Oral History Interactive Documentary (OHID) Part 3: Poetics 8. Interactive
Multispecies Documentary Methods in Wretched Waters: The Slow Violence of
the Rio Doce Disaster 9. On Histories of Dispersal, the Missing Pictures
and Ways of Knowing: The Artist's Space Redefined for a Plural Art Practice
10. Decolonizing Transmedia Practices: An Essay on Editing Part 4:
Technologies 11. Between Self and Other: Propositions for Non-Dualistic
Research on VR 12. Beyond Technology's Promise: Building Trust, Owning
Narrative, Self-Authorship, and the Power of Storytelling! 13. Desert
Stars: Effectuation and Co-Creation in a Research-Creation i-doc Part 5:
Expanding Boundaries 14. Guerrilla Archaeology and Ancient Aliens:
Countering the Mediascapes of Stigmatized Knowledge 15. Responding to
Tension 16. In the Light of Memory 17. Expanding Boundaries, Indigenous and
Migrant Cartographies: Counter-Mapping the Inter-National Relations of the
Odeimin Runners Club