Interdisciplinary Barthes
Herausgeber: Knight, Diana
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Interdisciplinary Barthes
Herausgeber: Knight, Diana
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Interdisciplinary Barthes addresses the enduring stimulus that Barthes offers to intellectually adventurous work across the human sciences. It contextualises his creative engagements with ethnology, historiography, philosophy, ethics, music, photography, and literature, and traces the distinctive ways which he unsettled disciplinary boundaries.
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Interdisciplinary Barthes addresses the enduring stimulus that Barthes offers to intellectually adventurous work across the human sciences. It contextualises his creative engagements with ethnology, historiography, philosophy, ethics, music, photography, and literature, and traces the distinctive ways which he unsettled disciplinary boundaries.
Produktdetails
- Produktdetails
- Verlag: Hurst & Co.
- Seitenzahl: 336
- Erscheinungstermin: 7. April 2020
- Englisch
- Abmessung: 236mm x 155mm x 28mm
- Gewicht: 699g
- ISBN-13: 9780197266670
- ISBN-10: 0197266673
- Artikelnr.: 58567666
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Hurst & Co.
- Seitenzahl: 336
- Erscheinungstermin: 7. April 2020
- Englisch
- Abmessung: 236mm x 155mm x 28mm
- Gewicht: 699g
- ISBN-13: 9780197266670
- ISBN-10: 0197266673
- Artikelnr.: 58567666
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Diana Knight is Emeritus Professor of French at the University of Nottingham. Her publications on Barthes include Barthes and Utopia: Space, Travel, Writing (1997) and Critical Essays on Roland Barthes (2000), an edited anthology illustrating Barthes's reception in France, the UK, and the USA from 1953 to 2000. She is also the author of Flaubert's Characters: The Language of Illusion (1985) and Balzac and the Model of Painting: Artist Stories in 'La Comédie humaine' (2007). She is General Editor of Legenda Research Monographs in French Studies and a member of the editorial boards of Paragraph and Nottingham French Studies. She is a Fellow of the British Academy.
* List of Illustrations
* Notes on Contributors
* Preface
* Introduction
* 1: DIANA KNIGHT: Roland Barthes, An Interdisciplinary Subject
* Part I: Myths, History, and Images
* 2: PHILIPPE ROGER: Barthes's Frenchness
* 3: JONATHAN CULLER: Barthes's Myths of America
* 4: STEPHEN BANN: The Intelligible Versus the Real: Barthes's
Historiographical Option
* 5: MARIA O'SULLIVAN: Time and Space: Barthes and the Discourse of
History
* 6: ÉRIC MARTY: Barthes and the Visibility Turn: For a Non-Mimetic
Image
* 7: KATHRIN YACAVONE: Picturing Barthes: The Photographic Construction
of Authorship
* Part II: Religion, Philosophy, and Ethics
* 8: MICHAEL MORIARTY: Barthes and Religion
* 9: LUCY O'MEARA: Barthes and the Lessons of Ancient Philosophy
* 10: MARIELLE MACÉ: Barthes and 'Subtle Forms of Living'
* 11: KRIS PINT: 'A Country Free by Default': Barthes and the
Atmospheric Experience of Literature
* 12: FRANÇOIS NOUDELMANN: Barthes and Insignificant Music
* 13: PATRIZIA LOMBARDO: Barthes and the Emotions
* Part III: Writing, Criticism, and the Archive
* 14: ANTOINE COMPAGNON: Barthes and Commissioned Writing
* 15: ANDY STAFFORD: Barthes's Menippean Moment: Creative Criticism
1966-70
* 16: CLAUDE COSTE: From Fichier to uvre: Barthess 'Our Literature'
project
* 17: ANNE HERSCHBERG PIERROT: Barthes, the Desire to Write, and the
Prevision of the Work
* 18: TIPHAINE SAMOYAULT: Barthes's Ordinary Writing
* Index
* Notes on Contributors
* Preface
* Introduction
* 1: DIANA KNIGHT: Roland Barthes, An Interdisciplinary Subject
* Part I: Myths, History, and Images
* 2: PHILIPPE ROGER: Barthes's Frenchness
* 3: JONATHAN CULLER: Barthes's Myths of America
* 4: STEPHEN BANN: The Intelligible Versus the Real: Barthes's
Historiographical Option
* 5: MARIA O'SULLIVAN: Time and Space: Barthes and the Discourse of
History
* 6: ÉRIC MARTY: Barthes and the Visibility Turn: For a Non-Mimetic
Image
* 7: KATHRIN YACAVONE: Picturing Barthes: The Photographic Construction
of Authorship
* Part II: Religion, Philosophy, and Ethics
* 8: MICHAEL MORIARTY: Barthes and Religion
* 9: LUCY O'MEARA: Barthes and the Lessons of Ancient Philosophy
* 10: MARIELLE MACÉ: Barthes and 'Subtle Forms of Living'
* 11: KRIS PINT: 'A Country Free by Default': Barthes and the
Atmospheric Experience of Literature
* 12: FRANÇOIS NOUDELMANN: Barthes and Insignificant Music
* 13: PATRIZIA LOMBARDO: Barthes and the Emotions
* Part III: Writing, Criticism, and the Archive
* 14: ANTOINE COMPAGNON: Barthes and Commissioned Writing
* 15: ANDY STAFFORD: Barthes's Menippean Moment: Creative Criticism
1966-70
* 16: CLAUDE COSTE: From Fichier to uvre: Barthess 'Our Literature'
project
* 17: ANNE HERSCHBERG PIERROT: Barthes, the Desire to Write, and the
Prevision of the Work
* 18: TIPHAINE SAMOYAULT: Barthes's Ordinary Writing
* Index
* List of Illustrations
* Notes on Contributors
* Preface
* Introduction
* 1: DIANA KNIGHT: Roland Barthes, An Interdisciplinary Subject
* Part I: Myths, History, and Images
* 2: PHILIPPE ROGER: Barthes's Frenchness
* 3: JONATHAN CULLER: Barthes's Myths of America
* 4: STEPHEN BANN: The Intelligible Versus the Real: Barthes's
Historiographical Option
* 5: MARIA O'SULLIVAN: Time and Space: Barthes and the Discourse of
History
* 6: ÉRIC MARTY: Barthes and the Visibility Turn: For a Non-Mimetic
Image
* 7: KATHRIN YACAVONE: Picturing Barthes: The Photographic Construction
of Authorship
* Part II: Religion, Philosophy, and Ethics
* 8: MICHAEL MORIARTY: Barthes and Religion
* 9: LUCY O'MEARA: Barthes and the Lessons of Ancient Philosophy
* 10: MARIELLE MACÉ: Barthes and 'Subtle Forms of Living'
* 11: KRIS PINT: 'A Country Free by Default': Barthes and the
Atmospheric Experience of Literature
* 12: FRANÇOIS NOUDELMANN: Barthes and Insignificant Music
* 13: PATRIZIA LOMBARDO: Barthes and the Emotions
* Part III: Writing, Criticism, and the Archive
* 14: ANTOINE COMPAGNON: Barthes and Commissioned Writing
* 15: ANDY STAFFORD: Barthes's Menippean Moment: Creative Criticism
1966-70
* 16: CLAUDE COSTE: From Fichier to uvre: Barthess 'Our Literature'
project
* 17: ANNE HERSCHBERG PIERROT: Barthes, the Desire to Write, and the
Prevision of the Work
* 18: TIPHAINE SAMOYAULT: Barthes's Ordinary Writing
* Index
* Notes on Contributors
* Preface
* Introduction
* 1: DIANA KNIGHT: Roland Barthes, An Interdisciplinary Subject
* Part I: Myths, History, and Images
* 2: PHILIPPE ROGER: Barthes's Frenchness
* 3: JONATHAN CULLER: Barthes's Myths of America
* 4: STEPHEN BANN: The Intelligible Versus the Real: Barthes's
Historiographical Option
* 5: MARIA O'SULLIVAN: Time and Space: Barthes and the Discourse of
History
* 6: ÉRIC MARTY: Barthes and the Visibility Turn: For a Non-Mimetic
Image
* 7: KATHRIN YACAVONE: Picturing Barthes: The Photographic Construction
of Authorship
* Part II: Religion, Philosophy, and Ethics
* 8: MICHAEL MORIARTY: Barthes and Religion
* 9: LUCY O'MEARA: Barthes and the Lessons of Ancient Philosophy
* 10: MARIELLE MACÉ: Barthes and 'Subtle Forms of Living'
* 11: KRIS PINT: 'A Country Free by Default': Barthes and the
Atmospheric Experience of Literature
* 12: FRANÇOIS NOUDELMANN: Barthes and Insignificant Music
* 13: PATRIZIA LOMBARDO: Barthes and the Emotions
* Part III: Writing, Criticism, and the Archive
* 14: ANTOINE COMPAGNON: Barthes and Commissioned Writing
* 15: ANDY STAFFORD: Barthes's Menippean Moment: Creative Criticism
1966-70
* 16: CLAUDE COSTE: From Fichier to uvre: Barthess 'Our Literature'
project
* 17: ANNE HERSCHBERG PIERROT: Barthes, the Desire to Write, and the
Prevision of the Work
* 18: TIPHAINE SAMOYAULT: Barthes's Ordinary Writing
* Index