This collection of essays and interviews investigates current practices that expand our understanding and experience of performance through the use of state-of-the-art technologies. It brings together leading practitioners, writers and curators who explore the intersections between theatre, performance and digital technologies, challenging expectations and furthering discourse across the disciplines.
This collection of essays and interviews investigates current practices that expand our understanding and experience of performance through the use of state-of-the-art technologies. It brings together leading practitioners, writers and curators who explore the intersections between theatre, performance and digital technologies, challenging expectations and furthering discourse across the disciplines.
Janis Jefferies is Professor of Visual Arts, Artistic Director of Goldsmiths Digital Studios and Director of the Constance Howard Resource and Research Centre in Textiles, Goldsmiths, University of London. Maria Chatzichristodoulou [aka Maria X] is Lecturer in Theatre and Performance at the School of Arts and New Media, University of Hull (Scarborough campus) and PhD candidate (completion) at Goldsmiths Digital Studios, University of London. Dr. Rachel Zerihan is Visiting Lecturer at Queen Mary, University of London.
Inhaltsangabe
Contents: Introduction Maria Chatzichristodoulou and Rachel Zerihan; Creative media: performance invention critique Sarah Kember and Joanna Zylinska; Part 1 Environments: Environments interactions and beings: the ecology of performativity and technics Chris Salter; Blurring the boundaries: performance technology and the artificial sublime - an interview with Ruth Gibson and Bruno Martelli igloo Janis Jefferies. Part 2 Bodies: Orlan-vertigo/self-touching-you Simon Donger; The path to silence Allucquére Rosanne Stone. Part 3 Audiences: Reactivation: performance mediatization and the present moment Philip Auslander; Moving audiences: strategies of exposure in the work of Gob Squad Patrick Primavesi; How to kidnap your audiences: an interview with Matt Adams from Blast Theory Maria Chatzichristodoulou. Part 4 Politics: The tendency to 'trans-': the political aesthetics of the biogrammatic zone Sher Doruff; Guillermo Gómez-Peña: ethno-techno politics Guillermo Gómez Peña and Lorena Rivero de Beer; Performative science in an age of specialization: the case of critical art ensemble Nicola Triscott. Part 5 Affect: Affective connection Bojana Kunst; Love at first byte Melinda Rackham; Conclusion Janis Jefferies; Bibliography; Index.
Contents: Introduction Maria Chatzichristodoulou and Rachel Zerihan; Creative media: performance invention critique Sarah Kember and Joanna Zylinska; Part 1 Environments: Environments interactions and beings: the ecology of performativity and technics Chris Salter; Blurring the boundaries: performance technology and the artificial sublime - an interview with Ruth Gibson and Bruno Martelli igloo Janis Jefferies. Part 2 Bodies: Orlan-vertigo/self-touching-you Simon Donger; The path to silence Allucquére Rosanne Stone. Part 3 Audiences: Reactivation: performance mediatization and the present moment Philip Auslander; Moving audiences: strategies of exposure in the work of Gob Squad Patrick Primavesi; How to kidnap your audiences: an interview with Matt Adams from Blast Theory Maria Chatzichristodoulou. Part 4 Politics: The tendency to 'trans-': the political aesthetics of the biogrammatic zone Sher Doruff; Guillermo Gómez-Peña: ethno-techno politics Guillermo Gómez Peña and Lorena Rivero de Beer; Performative science in an age of specialization: the case of critical art ensemble Nicola Triscott. Part 5 Affect: Affective connection Bojana Kunst; Love at first byte Melinda Rackham; Conclusion Janis Jefferies; Bibliography; Index.
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