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Art History is centrally concerned with a vast array of three-dimensional objects, such as sculptures, and spaces, such as architecture. Digital technologies allow the creation of virtual spaces, which in turn allow us to simulate and compare aspects of a visual culture's three-dimensional timespace that cannot be communicated as a single, still image. The third issue, thus, focusses on the third dimension in Art History, and the digital realm that continues to mediate and transform it.

Produktbeschreibung
Art History is centrally concerned with a vast array of three-dimensional objects, such as sculptures, and spaces, such as architecture. Digital technologies allow the creation of virtual spaces, which in turn allow us to simulate and compare aspects of a visual culture's three-dimensional timespace that cannot be communicated as a single, still image. The third issue, thus, focusses on the third dimension in Art History, and the digital realm that continues to mediate and transform it.
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Autorenporträt
Harald Klinke has a Ph.D. in art history and a Master of Science in Information Systems. Currently he is Assistant Professor at the Ludwig Maximilian University, Munich, and member of the Program Committee of the DFG-funded project "The Digital Image". He conducts research on visual communication, digital media, and Big Image Data in art-historical contexts. From 2008 to 2009, he worked as a Lecturer of Visual Studies (Bildwissenschaft) at the Art History Department of the University of Göttingen. From 2009 to 2010, he conducted research, supported by a grant from the German Research Foundation (DFG), as a Visiting Scholar at Columbia University, New York. He has published books on art theory, digital images and digital transformation.