A comparative analysis of the cultural politics of modernist writing in Taiwan and the United States, as well as in immigrant Asian American writing.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Acknowledgments vii Introduction / Canonical Modernisms, Minor Modernisms, and the Cultural Politics of Fragmentation 1 1 / The Historicity of the Fragment: Toward a Critical Comparativism 21 2 / “Completely Painted Over but Painted Full of Empty Spaces”: Stein’s American Allegories and the End of Progress 44 3 / “Learning a Lesson in the Superficial Song Lyrics”: Hsia Yü’s “Underground” Poetry 80 4 / “For the Other Overlapping Time”: Pound’s Ideogramic Universalism and Cha’s Countermodernist Translation 113 Conclusion / The Cultural Uses of an Interventionary Poetics 148 Notes 153 Works Cited 171 Index 181
Acknowledgments vii Introduction / Canonical Modernisms, Minor Modernisms, and the Cultural Politics of Fragmentation 1 1 / The Historicity of the Fragment: Toward a Critical Comparativism 21 2 / “Completely Painted Over but Painted Full of Empty Spaces”: Stein’s American Allegories and the End of Progress 44 3 / “Learning a Lesson in the Superficial Song Lyrics”: Hsia Yü’s “Underground” Poetry 80 4 / “For the Other Overlapping Time”: Pound’s Ideogramic Universalism and Cha’s Countermodernist Translation 113 Conclusion / The Cultural Uses of an Interventionary Poetics 148 Notes 153 Works Cited 171 Index 181
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