Interweaving myths in Shakespeare and his contemporaries
Herausgeber: Coffin, Charlotte; Valls-Russell, Janice; Lafont, Agnès
Interweaving myths in Shakespeare and his contemporaries
Herausgeber: Coffin, Charlotte; Valls-Russell, Janice; Lafont, Agnès
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This volume considers classical mythology in the works of Shakespeare and his contemporaries. The eleven essays approach tropes and figures from multiple perspectives: genre, gender, translation, classical reception and history. -- .
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This volume considers classical mythology in the works of Shakespeare and his contemporaries. The eleven essays approach tropes and figures from multiple perspectives: genre, gender, translation, classical reception and history. -- .
Produktdetails
- Produktdetails
- Verlag: Manchester University Press
- Seitenzahl: 304
- Erscheinungstermin: 6. Oktober 2017
- Englisch
- Abmessung: 222mm x 145mm x 20mm
- Gewicht: 530g
- ISBN-13: 9781526117687
- ISBN-10: 1526117681
- Artikelnr.: 48255470
- Verlag: Manchester University Press
- Seitenzahl: 304
- Erscheinungstermin: 6. Oktober 2017
- Englisch
- Abmessung: 222mm x 145mm x 20mm
- Gewicht: 530g
- ISBN-13: 9781526117687
- ISBN-10: 1526117681
- Artikelnr.: 48255470
Janice Valls-Russell is employed by the French National Centre for Scientific Research (CNRS) at Université Paul-Valéry, Montpellier, where she coordinates early modern research projects Agnès Lafont is Senior Lecturer in Early Modern English Literature at Université Paul Valéry, Montpellier Charlotte Coffin is Senior Lecturer in Early Modern English Literature at Université Paris-Est Créteil Val de Marne
Introduction: 'Ariachne's broken woof'
Janice Valls
Russell, Agnès Lafont and Charlotte Coffin 1 Shakespeare's mythological feuilletage: A methodological induction
Yves Peyré 2 The non
Ovidian Elizabethan epyllion: Thomas Watson, Christopher Marlowe, Richard Barnfield
Tania Demetriou 3 'This realm is an empire': Tales of origins in medieval and early modern France and England
Dominique Goy
Blanquet 4 Trojan shadows in Shakespeare's King John
Janice Valls
Russell 5 Venetian Jasons, parti
coloured lambs and a tainted wether: Ovine tropes and the Golden Fleece in The Merchant of Venice
Atsuhiko Hirota 6 Fifty ways to kill your brother: Medea and the poetics of fratricide in early modern English literature
Katherine Heavey 7 'She, whom Jove transported into Crete': Europa, between consent and rape
Gaëlle Ginestet 8 Subtle weavers, mythological interweavings and feminine political agency: Penelope and Arachne in early modern drama
Nathalie Rivère de Carles 9 Multi
layered conversations in Marlowe's Dido, Queen of Carthage
Agnès Lafont 10 Burlesque or neoplatonic? Popular or elite? The shifting value of classical mythology in Love's Mistress
Charlotte Coffin 11 Pygmalion, once and future myth: Instead of a conclusion
Ruth Morse Index
Janice Valls
Russell, Agnès Lafont and Charlotte Coffin 1 Shakespeare's mythological feuilletage: A methodological induction
Yves Peyré 2 The non
Ovidian Elizabethan epyllion: Thomas Watson, Christopher Marlowe, Richard Barnfield
Tania Demetriou 3 'This realm is an empire': Tales of origins in medieval and early modern France and England
Dominique Goy
Blanquet 4 Trojan shadows in Shakespeare's King John
Janice Valls
Russell 5 Venetian Jasons, parti
coloured lambs and a tainted wether: Ovine tropes and the Golden Fleece in The Merchant of Venice
Atsuhiko Hirota 6 Fifty ways to kill your brother: Medea and the poetics of fratricide in early modern English literature
Katherine Heavey 7 'She, whom Jove transported into Crete': Europa, between consent and rape
Gaëlle Ginestet 8 Subtle weavers, mythological interweavings and feminine political agency: Penelope and Arachne in early modern drama
Nathalie Rivère de Carles 9 Multi
layered conversations in Marlowe's Dido, Queen of Carthage
Agnès Lafont 10 Burlesque or neoplatonic? Popular or elite? The shifting value of classical mythology in Love's Mistress
Charlotte Coffin 11 Pygmalion, once and future myth: Instead of a conclusion
Ruth Morse Index
Introduction: 'Ariachne's broken woof'
Janice Valls
Russell, Agnès Lafont and Charlotte Coffin 1 Shakespeare's mythological feuilletage: A methodological induction
Yves Peyré 2 The non
Ovidian Elizabethan epyllion: Thomas Watson, Christopher Marlowe, Richard Barnfield
Tania Demetriou 3 'This realm is an empire': Tales of origins in medieval and early modern France and England
Dominique Goy
Blanquet 4 Trojan shadows in Shakespeare's King John
Janice Valls
Russell 5 Venetian Jasons, parti
coloured lambs and a tainted wether: Ovine tropes and the Golden Fleece in The Merchant of Venice
Atsuhiko Hirota 6 Fifty ways to kill your brother: Medea and the poetics of fratricide in early modern English literature
Katherine Heavey 7 'She, whom Jove transported into Crete': Europa, between consent and rape
Gaëlle Ginestet 8 Subtle weavers, mythological interweavings and feminine political agency: Penelope and Arachne in early modern drama
Nathalie Rivère de Carles 9 Multi
layered conversations in Marlowe's Dido, Queen of Carthage
Agnès Lafont 10 Burlesque or neoplatonic? Popular or elite? The shifting value of classical mythology in Love's Mistress
Charlotte Coffin 11 Pygmalion, once and future myth: Instead of a conclusion
Ruth Morse Index
Janice Valls
Russell, Agnès Lafont and Charlotte Coffin 1 Shakespeare's mythological feuilletage: A methodological induction
Yves Peyré 2 The non
Ovidian Elizabethan epyllion: Thomas Watson, Christopher Marlowe, Richard Barnfield
Tania Demetriou 3 'This realm is an empire': Tales of origins in medieval and early modern France and England
Dominique Goy
Blanquet 4 Trojan shadows in Shakespeare's King John
Janice Valls
Russell 5 Venetian Jasons, parti
coloured lambs and a tainted wether: Ovine tropes and the Golden Fleece in The Merchant of Venice
Atsuhiko Hirota 6 Fifty ways to kill your brother: Medea and the poetics of fratricide in early modern English literature
Katherine Heavey 7 'She, whom Jove transported into Crete': Europa, between consent and rape
Gaëlle Ginestet 8 Subtle weavers, mythological interweavings and feminine political agency: Penelope and Arachne in early modern drama
Nathalie Rivère de Carles 9 Multi
layered conversations in Marlowe's Dido, Queen of Carthage
Agnès Lafont 10 Burlesque or neoplatonic? Popular or elite? The shifting value of classical mythology in Love's Mistress
Charlotte Coffin 11 Pygmalion, once and future myth: Instead of a conclusion
Ruth Morse Index