Intimate Violence explores the consistent cold war in Hitchcock's films between his heterosexual heroines and his queer characters, usually though not always male. These conflicts eerily echo the tense standoff between feminism and queer theory. From a reparative psychoanalytic perspective, David Greven merges queer and feminist approaches to Hitchcock.
Intimate Violence explores the consistent cold war in Hitchcock's films between his heterosexual heroines and his queer characters, usually though not always male. These conflicts eerily echo the tense standoff between feminism and queer theory. From a reparative psychoanalytic perspective, David Greven merges queer and feminist approaches to Hitchcock.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
David Greven is Professor of English at the University of South Carolina. He publishes in two fields, nineteenth century American literature and Film Studies. Greven specializes in psychoanalytic theory, queer theory, and gender studies. He has written studies of same-sex desire in the antebellum United States, Nathaniel Hawthorne's work and Freudian literary theory, the woman's film, masculinity in contemporary Hollywood, and Hitchcock's influence on the filmmakers of the Seventies.
Inhaltsangabe
* Acknowledgements * Introduction: Intimate Violence * Chapter 1: Queer Hitchcock: Psycho and Northwest by Northwest * Chapter 2: "You're A Strange Girl, Charlie": Sexual Hegemony in Shadow of a Doubt * Chapter 3: Mirrors without Images: Spellbound * Chapter 4: Making a Meal of Manhood: Rope, Orality, and Queer Anguish * Chapter 5: The Fairgrounds of Desire: Paranoia and Masochism in Strangers on a Train * Chapter 6: The Death-Mother in Psycho: Hitchcock, Femininity, and Queer Desire * Chapter 7: Marnie's Queer Resilience * Epilogue: Melanie's Birds: Deconstructing the Heroine * Notes
* Acknowledgements * Introduction: Intimate Violence * Chapter 1: Queer Hitchcock: Psycho and Northwest by Northwest * Chapter 2: "You're A Strange Girl, Charlie": Sexual Hegemony in Shadow of a Doubt * Chapter 3: Mirrors without Images: Spellbound * Chapter 4: Making a Meal of Manhood: Rope, Orality, and Queer Anguish * Chapter 5: The Fairgrounds of Desire: Paranoia and Masochism in Strangers on a Train * Chapter 6: The Death-Mother in Psycho: Hitchcock, Femininity, and Queer Desire * Chapter 7: Marnie's Queer Resilience * Epilogue: Melanie's Birds: Deconstructing the Heroine * Notes
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