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This set of seven sermons follows the traditional church sequence of ""The Seven Last Words of the Cross,"" utterances that the gospel narratives place on the lips of Jesus. These utterances are drawn from the several gospel narratives. In the liturgical life of the church, however, the sequence has a significance and staying power of its own quite apart from the gospel narratives in which the utterances are embedded. These sermons take seriously the faith voiced by Jesus in his context of wretched abuse by the Roman Empire. They attempt, moreover, to connect that reality of faith and abuse in…mehr

Produktbeschreibung
This set of seven sermons follows the traditional church sequence of ""The Seven Last Words of the Cross,"" utterances that the gospel narratives place on the lips of Jesus. These utterances are drawn from the several gospel narratives. In the liturgical life of the church, however, the sequence has a significance and staying power of its own quite apart from the gospel narratives in which the utterances are embedded. These sermons take seriously the faith voiced by Jesus in his context of wretched abuse by the Roman Empire. They attempt, moreover, to connect that reality of faith and abuse in our contemporary world of concentrated, ruthless power. The intent of such sermons on Good Friday is to replicate for us in our context what such an interface of faith and abuse must have been like. These sermons were preached last Good Friday in the preacher's home congregation.
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Autorenporträt
Walter Brueggemann is William Marcellus McPheeters Professor of Old Testament Emeritus at Columbia Theological Seminary, Decatur, Georgia. He has published widely on the Old Testament as well as contemporary hermeneutical reflections, including, from Cascade Books: David and His Theologian (2011), A Pathway of Interpretation (2008), Embracing the Transformation (2014), The Practice of Homefulness (2014), Truth-Telling as Subversive Obedience (2011), Virus as a Summons to Faith (2020), A Wilderness Zone (2021), and Resisting Denial, Refusing Despair (2022).