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Understanding the intertextual phenomenon in this new dimension of the text, which is that of its production, leads me to search in the author's own work: the case of Rachid Boudjedra and Assia Djebar, how borrowing is constructed, how self-quoting, self-plagiarism, allusion, reference also result from an appropriation and integration in the very space of the text or work being invented.What importance then is self-referential writing as both a linguistic and an aesthetic fact? And wouldn't the fact that it takes place within a closed novel, or from one novel to another, have something to do…mehr

Produktbeschreibung
Understanding the intertextual phenomenon in this new dimension of the text, which is that of its production, leads me to search in the author's own work: the case of Rachid Boudjedra and Assia Djebar, how borrowing is constructed, how self-quoting, self-plagiarism, allusion, reference also result from an appropriation and integration in the very space of the text or work being invented.What importance then is self-referential writing as both a linguistic and an aesthetic fact? And wouldn't the fact that it takes place within a closed novel, or from one novel to another, have something to do with autofictional writing, in other words, with the idea of self-invention?
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Autorenporträt
Radia Redouane Benslimane, profesora de la Universidad de Argel 2, es miembro del laboratorio de investigación LIRADDI y jefa del equipo "Literatura mística e intertextualidad". Su trabajo y sus publicaciones se centran en los escritos de los autores magrebíes contemporáneos y en las obras de los poetas de la época medieval.