Introduction to Film Studies is a comprehensive textbook for students of cinema. This completely revised and updated fifth edition guides students through the key issues and concepts in film studies, traces the historical development of film and introduces some of the worlds key national cinemas.
Introduction to Film Studies is a comprehensive textbook for students of cinema. This completely revised and updated fifth edition guides students through the key issues and concepts in film studies, traces the historical development of film and introduces some of the worlds key national cinemas.
Jill Nelmes is a senior lecturer at the University of East London. Her research interests include gender and film and screenwriting. She recently spent two years studying screenwriting at UCLA and working in the film industry in Los Angeles.
Inhaltsangabe
Foreward Bill Nicholls Introduction to the 5th Edition Jill Nelmes PART I : CINEMA AS INSTITUTION: TECHNOLOGY INDUSTRY AND AUDIENCE 1. The Industrial contexts of film production Searle Kochberg 2. Film and Technology Bill Whittington PART II: APPROACHES TO STUDYING FILM - FORM AND TEXT 3. Getting to the Bigger Picture Patrick Phillips 4. Film Form and Narrative Susan Spiedel 5. Spectator Audience and Response Patrick Phillips 6. Approaches to Cinematic Authorship Paul Watson 7. Stardom and Hollywood Cinema Paul Watson PART III: STUDYNG GENRE 8. Genre theory and Hollywood Cinema Paul Watson 9. The Documentary Form Paul Ward 10. The Language of Animation Paul Wells PART IV: CINEMA IDENTITY AND THE POLITICS OF REPRESENTATION 11. Gender and Film Jill Nelmes 12. Lesbian and Gay Cinema Chris Jones 13. Spectacle Stereotypes and Films of the African Diaspora Terri Francis PART V : CINEMA NATION AND NATIONAL IDENTITY 14. British Cinema Lawrence Napper 15. Indian Cinema Lalitha Gopalan 16. Latin American Cinema Linda Craig 17. The Soviet Montage Cinema of the 1920's Mark Joyce
Foreward Bill Nicholls Introduction to the 5th Edition Jill Nelmes PART I : CINEMA AS INSTITUTION: TECHNOLOGY INDUSTRY AND AUDIENCE 1. The Industrial contexts of film production Searle Kochberg 2. Film and Technology Bill Whittington PART II: APPROACHES TO STUDYING FILM - FORM AND TEXT 3. Getting to the Bigger Picture Patrick Phillips 4. Film Form and Narrative Susan Spiedel 5. Spectator Audience and Response Patrick Phillips 6. Approaches to Cinematic Authorship Paul Watson 7. Stardom and Hollywood Cinema Paul Watson PART III: STUDYNG GENRE 8. Genre theory and Hollywood Cinema Paul Watson 9. The Documentary Form Paul Ward 10. The Language of Animation Paul Wells PART IV: CINEMA IDENTITY AND THE POLITICS OF REPRESENTATION 11. Gender and Film Jill Nelmes 12. Lesbian and Gay Cinema Chris Jones 13. Spectacle Stereotypes and Films of the African Diaspora Terri Francis PART V : CINEMA NATION AND NATIONAL IDENTITY 14. British Cinema Lawrence Napper 15. Indian Cinema Lalitha Gopalan 16. Latin American Cinema Linda Craig 17. The Soviet Montage Cinema of the 1920's Mark Joyce
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