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A collection of institution-centered essays comprising a history of film studies as a discipline.
Offers insights into the institutional and intellectual foundations of cinema studies. This volume provides examinations of the varied social, political, and intellectual milieus in which knowledge of cinema has been generated. It also considers the future directions of film study in a changing technological and cultural environment.

Produktbeschreibung
A collection of institution-centered essays comprising a history of film studies as a discipline.
Offers insights into the institutional and intellectual foundations of cinema studies. This volume provides examinations of the varied social, political, and intellectual milieus in which knowledge of cinema has been generated. It also considers the future directions of film study in a changing technological and cultural environment.
Autorenporträt
Lee Grieveson is Reader in Film Studies and Director of the Graduate Programme in Film Studies at University College London. He is the author of Policing Cinema: Movies and Censorship in Early-Twentieth-Century America and a co-editor of The Silent Cinema Reader. Haidee Wasson is Associate Professor of Cinema at Concordia University. She is the author of Museum Movies: The Museum of Modern Art and the Birth of Art Cinema.