Inventing the Novel uses the work of the Russian philosopher Mikhail Bakhtin to explore the ancient origins of the modern novel, focusing on one of classical antiquity's most elusive works, Petronius' Satyrica, and arguing in support of Bakhtin's sweeping claim that it plays an "immense" role in the history of the novel.
Inventing the Novel uses the work of the Russian philosopher Mikhail Bakhtin to explore the ancient origins of the modern novel, focusing on one of classical antiquity's most elusive works, Petronius' Satyrica, and arguing in support of Bakhtin's sweeping claim that it plays an "immense" role in the history of the novel.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
R. Bracht Branham is the editor of Bakhtin and the Classics (Northwestern University Press, 2002) and The Bakhtin Circle and Ancient Narrative (Barkhuis, 2005), and translator (with Daniel Kinney) of Petronius' Satyrica (University of California Press, 1996). He teaches classics, philosophy, and comparative literature at Emory University.
Inhaltsangabe
Frontmatter Prologue: The Argument 0: Introduction: Bakhtin and Petronius 1: Inventing the Novel: The Bakhtinian Model 2: Mapping Time and Space in Ancient Fiction: Toward An Historical Poetics 3: The Poetics of Genre: Bakhtin/Menippus/Petronius 4: Discourse in a Novel Toward a Typology of Narrative Discourse: Plato and Bakhtin Trimalchio's Last Words Appellation d'Origine Contrôlée Trimalchio's Double-Voiced Discourse: The Riddle of the Sibyl Fortunata's Voice: On the Boundaries of Discourse What does Polyphony Sound Like? Ancient Examples? 5: Epilogue: The Last Word Appendices I. Bakhtin and the Collapse of the Fact/Value Dichotomy II. The Wrath of Hermeros III. Nomen Omen: Eumolpus' Name and Discourse IV. Petronius' Title as Discourse Endmatter Works Cited Index
Frontmatter Prologue: The Argument 0: Introduction: Bakhtin and Petronius 1: Inventing the Novel: The Bakhtinian Model 2: Mapping Time and Space in Ancient Fiction: Toward An Historical Poetics 3: The Poetics of Genre: Bakhtin/Menippus/Petronius 4: Discourse in a Novel Toward a Typology of Narrative Discourse: Plato and Bakhtin Trimalchio's Last Words Appellation d'Origine Contrôlée Trimalchio's Double-Voiced Discourse: The Riddle of the Sibyl Fortunata's Voice: On the Boundaries of Discourse What does Polyphony Sound Like? Ancient Examples? 5: Epilogue: The Last Word Appendices I. Bakhtin and the Collapse of the Fact/Value Dichotomy II. The Wrath of Hermeros III. Nomen Omen: Eumolpus' Name and Discourse IV. Petronius' Title as Discourse Endmatter Works Cited Index
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