Inventing the Renaissance - Palmer, Ada
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Erscheint vorauss. 28. März 2025
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"In this new book, the award-winning novelist and renowned historian Ada Palmer seeks to dismantle the myth of the Renaissance as a "golden age" compared to the plague- and war-ridden Middle Ages. For those who inhabited what we now think of as the Renaissance, Palmer argues, it was "a darker, grimmer age than the 'dark ages' that preceded it." The book, then, is as much about the real Renaissance as it is about our constructions of it, taking a close look at how the myth of the Renaissance as a golden age came about. Palmer ably shows how this myth was constructed for different political…mehr

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Produktbeschreibung
"In this new book, the award-winning novelist and renowned historian Ada Palmer seeks to dismantle the myth of the Renaissance as a "golden age" compared to the plague- and war-ridden Middle Ages. For those who inhabited what we now think of as the Renaissance, Palmer argues, it was "a darker, grimmer age than the 'dark ages' that preceded it." The book, then, is as much about the real Renaissance as it is about our constructions of it, taking a close look at how the myth of the Renaissance as a golden age came about. Palmer ably shows how this myth was constructed for different political reasons at different times, and she contrasts it with the lived reality of the actual Renaissance, which she sees as a troubled period defined by the attempt to end centuries of war and conflict by way of a revival of the educational aims and methods of ancient Rome. The author peppers her book with fifteen mini-biographies ranging from famous figures-including Michelangelo, Machiavelli, and Lucrezia Borgia-to lesser-known ones, examining why history remembers some characters over others and showing in detail how different figures struggled with the trials and tribulations of their time"--
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Rezensionen
Inventing the Renaissance does something magical: it manages to take a tightly-held conviction (that there was a thing in European history called 'the Renaissance'), dismantle it with humor and intelligence, then put it back together as something different and more true to the past itself. But maybe more importantly, Palmer's expertise and storytelling helps us better understand how golden ages are imagined, and why rejecting those invented constructions of the past provides us with hope as we confront our own contemporary world. As she says herself: 'we can do better than the Renaissance.'