Inventing the Spectator reconstructs the theatre spectator's experience as it was understood in France between the Renaissance and the Revolution, raising numerous questions that strike at the very heart of human psychology, cognition, and experience.
Inventing the Spectator reconstructs the theatre spectator's experience as it was understood in France between the Renaissance and the Revolution, raising numerous questions that strike at the very heart of human psychology, cognition, and experience.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Joseph Harris is Senior Lecturer at Royal Holloway, University of London. He has published widely on seventeenth- and eighteenth-century French literature, particularly drama, and is the author of Hidden Agendas: Cross-Dressing in Seventeenth-Century France (Tübingen: 2005). His research interests include gender and sexuality; the prehistory of psychology; laughter; and dramatic spectatorship. He is editor of a volume of Nottingham French Studies entitled 'Identification Before Freud: French Perspectives'. He is currently working on a project on death and murder in Corneille's theatre.
Inhaltsangabe
Introduction 1: Subjectivity and the senses: from deceit to enthralment 2: D'Aubignac: the rationalist spectator 3: Corneille: the indulgent spectator 4: Narrative pleasures: from intellect to emotion 5: Dubos: the contemplative spectator 6: Between interest and identification 7: Rousseau: the alienated spectator 8: Beyond domesticity: Diderot and the drame Epilogue: the decline of the spectator
Introduction 1: Subjectivity and the senses: from deceit to enthralment 2: D'Aubignac: the rationalist spectator 3: Corneille: the indulgent spectator 4: Narrative pleasures: from intellect to emotion 5: Dubos: the contemplative spectator 6: Between interest and identification 7: Rousseau: the alienated spectator 8: Beyond domesticity: Diderot and the drame Epilogue: the decline of the spectator
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