Fredric Jameson is Distinguished Professor of Comparative Literature at Duke University. The author of numerous books, he has over the last three decades developed a richly nuanced vision of Western culture's relation to political economy. He was a recipient of the 2008 Holberg International Memorial Prize. He is the author of many books, including Postmodernism, Or, The Cultural Logic of Late Capitalism, The Cultural Turn, A Singular Modernity, The Modernist Papers, Archaeologies of the Future, Brecht and Method, Ideologies of Theory, Valences of the Dialectic, The Hegel Variations and Representing Capital.
Inhaltsangabe
Introduction 1. Allegories of the Hunter 2. Limits of the Gringo Novel 3. Form-Problems in Henry James 4. Language and Conspiracy in Delillo and Yurick 5. The Autonomous Work of Art: Utopian Plot-Formation in The Wire 6. Flashes of World War II 7. Germany’s Double Plots 8. An Eastern Waiting Room 9. Immortal Stalingrad 10. The USSR that Wasn’t 11. Faith and Conspiracy in Japan 12. History as a Family Novel 13. The Religions of Dystopia 14. Fear and Loathing in Globalization 15. The Novel and the Supermarket 16. Temporalities of the Sea 17. A Businessman in Love 18. The Failure of Success 19. Days of the Messiah Index
Introduction 1. Allegories of the Hunter 2. Limits of the Gringo Novel 3. Form-Problems in Henry James 4. Language and Conspiracy in Delillo and Yurick 5. The Autonomous Work of Art: Utopian Plot-Formation in The Wire 6. Flashes of World War II 7. Germany’s Double Plots 8. An Eastern Waiting Room 9. Immortal Stalingrad 10. The USSR that Wasn’t 11. Faith and Conspiracy in Japan 12. History as a Family Novel 13. The Religions of Dystopia 14. Fear and Loathing in Globalization 15. The Novel and the Supermarket 16. Temporalities of the Sea 17. A Businessman in Love 18. The Failure of Success 19. Days of the Messiah Index
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