Invisible Now describes Bob Dylan's transformative inspiration as artist and cultural figure in the 1960s. John Hughes combines close discussions of Dylan's mercurial art with related discussions of his humour, voice, photographs, and self-presentation, as well as with the singularities of particular performances. The result is a nuanced account of Dylan's creativity that allows us to understand more closely the nature of Dylan's art, and its links with American culture.
Invisible Now describes Bob Dylan's transformative inspiration as artist and cultural figure in the 1960s. John Hughes combines close discussions of Dylan's mercurial art with related discussions of his humour, voice, photographs, and self-presentation, as well as with the singularities of particular performances. The result is a nuanced account of Dylan's creativity that allows us to understand more closely the nature of Dylan's art, and its links with American culture.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
John Hughes teaches literature at the University of Gloucestershire, UK. He has published widely on Romantic and nineteenth-century literature, and twentieth-century philosophy. He has written three previous books - Lines of Flight (1996), 'Ecstatic Sound': Music and Individuality in the Work of Thomas Hardy (Ashgate, 2001) and Affective Worlds: Literature, Feeling, Nineteenth-Century Literature (2011).
Inhaltsangabe
Contents: Preface Part 1 Themes: 'Continual becoming' Humour Photographs Voice Leave taking Aversiveness Inspiration. Part 2 The 1960s: 'Mind like a trap': Bob Dylan, The Freewheelin' Bob Dylan, The Times They Are A-Changin' 'Weird monkey': Another Side of Bob Dylan and Bringing It All Back Home 'There is no eye': Highway 61 Revisited 'Trapeze artist': Blonde on Blonde 'Ghosts passing through on their way to Tangiers': The Basement Tapes 'Not too far but just far enough so's we can say we've been there': John Wesley Harding and Nashville Skyline Notes Select bibliography Index.
Contents: Preface Part 1 Themes: 'Continual becoming' Humour Photographs Voice Leave taking Aversiveness Inspiration. Part 2 The 1960s: 'Mind like a trap': Bob Dylan, The Freewheelin' Bob Dylan, The Times They Are A-Changin' 'Weird monkey': Another Side of Bob Dylan and Bringing It All Back Home 'There is no eye': Highway 61 Revisited 'Trapeze artist': Blonde on Blonde 'Ghosts passing through on their way to Tangiers': The Basement Tapes 'Not too far but just far enough so's we can say we've been there': John Wesley Harding and Nashville Skyline Notes Select bibliography Index.
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