Long out of print and now reissued on the fortieth anniversary of its first publication, IOWA is the preeminent exemplar of Diana camera work and a cult classic highly prized by photobook collectors and photographers.
Long out of print and now reissued on the fortieth anniversary of its first publication, IOWA is the preeminent exemplar of Diana camera work and a cult classic highly prized by photobook collectors and photographers.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Nancy Rexroth’s work is held by major collections, including the Museum of Modern Art, the Center for Creative Photography, the Smithsonian Institution, the Corcoran Gallery of Art, the Baltimore Museum of Art, the Bibliothéque Nationale de France, the Library of Congress, and the Museum of Fine Arts, Houston. A member of Magnum Photos and the publisher of Little Brown Mushroom Press, Alec Soth is a photographer who has published over twenty-five books, including Sleeping by the Mississippi, NIAGARA, Broken Manual, and Songbook. Hailed as “America’s Best Curator” by Time magazine, Anne Wilkes Tucker served as the Gus and Lyndall Wortham Curator at the Museum of Fine Arts, Houston, where she built the photography collection and organized more than forty exhibitions. Mark L. Power is a photographer and photography educator whose works are in the Library of Congress, the Smithsonian Institution, the Corcoran Gallery of Art, the Bibliothéque Nationale de France, and other collections.
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“Rexroth’s Strawberries” by Alec Soth “Nancy Rexroth” by Anne Wilkes Tucker “Iowa in Ohio” by Mark L. Power Introduction by Nancy L. Rexroth Photos “IOWA since 1975” by Mark L. Power “Remembering IOWA: On the Fortieth Anniversary of Its Publication” by Nancy L. Rexroth Acknowledgments
“Rexroth’s Strawberries” by Alec Soth “Nancy Rexroth” by Anne Wilkes Tucker “Iowa in Ohio” by Mark L. Power Introduction by Nancy L. Rexroth Photos “IOWA since 1975” by Mark L. Power “Remembering IOWA: On the Fortieth Anniversary of Its Publication” by Nancy L. Rexroth Acknowledgments
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